Wage for Woke: Why a Changing Donor Base Might Convince Museums to Embrace Progressive Causes
This week, taking a different look at the interplay between museums, money, and politics…
Read Moreshining a light on the shadowy fine art industry
This week, taking a different look at the interplay between museums, money, and politics…
Read MoreThis week, inspecting the brave new world of art and AI...
Read MoreThis week, stories about the downsides and upsides of a shifting client base…
Read MoreThis week, triangulating the arts’ place within the biggest political story of the year…
Read MoreThis week, asking a big, uncomfortable question about a key market assumption…
Read MoreThis week, drilling into the industry’s most consequential story about class and power…
Read MoreThis week, two market stories with two central points each…
Read MoreThis week, looking back on a year of the Gray Market through its signature lens…
Read MoreFor this week, a special edition…
With January just around the corner, you know what time it is across every province in pundit land: prediction season. But before I join the most courageous, foolhardy, and/or shameless of my keyboard-toting colleagues in guessing what next year has in store for my beat, it’s time to deliver on a pledge I made along with my 2018 prognostications: namely, to go back and assess how those prognostications held up at year’s end.
Read MoreThis week, stories that show “either/or” should sometimes be “yes/and”…
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