http://www.thegray-market.com/columns daily 0.75 2024-10-28 http://www.thegray-market.com/columns/2024/9/27/why-sothebys-700m-art-backed-debt-security-is-an-acid-test-for-the-trades-intentions monthly 0.5 2024-09-27 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/aa0867df-ab98-4a4c-b133-95c904f46e6a/6280510901_8346a0d32b_k.jpg Columns - Why Sotheby’s $700m art-backed debt security is an acid test for the trade’s intentions - Make it stand out Bands on bands on bands: Sotheby’s Financial Services securitisation aims to generate stacks of cash like this one for investors. Photo by 401kcalculator, courtesy of Flickr via Creative Commons License http://www.thegray-market.com/columns/2024/7/22/demand-for-young-artists-work-is-bowed-but-unbroken-in-top-auctions monthly 0.5 2024-07-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/7f2c1e22-07af-4103-ae6b-be7304cabbed/8290754179_bfd57d14ab_o.jpg Columns - Demand for young artists' work is bowed but unbroken in top auctions - Make it stand out Photo by Barnshaws Metal Bending Ltd, courtesy of Flickr via Creative Commons License. http://www.thegray-market.com/columns/2024/6/2/why-dealers-and-collectors-are-monitoring-an-antitrust-lawsuit-over-birkin-bags monthly 0.5 2024-06-02 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/f36f5aae-e8bd-438d-90b1-36814a8c7981/Hermes_Ostrich_Birkin_Bag.jpg Columns - Why dealers and collectors are monitoring an antitrust lawsuit over Birkin bags - Make it stand out An ostrich-skin Birkin bag by Hermès. Photo by Wen Cheng Liu. Courtesy of Wikimedia via Creative Commons license. http://www.thegray-market.com/columns/2024/6/2/anyone-wrestling-with-moneys-influence-on-art-has-800-years-of-company monthly 0.5 2024-06-02 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/8dfb48b1-0c1e-458e-b538-ace291476f9a/MLM100504_76815v_0002_0+%281%29.jpg Columns - Anyone wrestling with money's influence on art has 800 years of company - Make it stand out Goldbeater, frontispiece from a register of creditors of a Bolognese lending society, illuminated by Nicolò di Giacomo di Nascimbene, called Nicolò da Bologna Italy, Bologna, around 1394–95 Photography by Janny Chiu. The Morgan Library & Museum http://www.thegray-market.com/columns/2024/1/28/rybolovlevs-trial-against-sothebys-has-become-a-slog-through-minutiaeand-thats-good-for-the-auction-house monthly 0.5 2024-01-29 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/9a6e578f-dc3f-43b7-8cb0-f19ea416a3bd/37950079095_2a89d224f3_k.jpg Columns - Rybolovlev’s trial against Sotheby’s has become a slog through minutiae—and that’s good for the auction house - Make it stand out The Salvator Mundi (around 1500), reattributed to Leonardo da Vinci, is one of four works at the heart of Dmitry Rybolovlev's trial against Sotheby's. Photo by Lluís Ribes Mateu via Flickr http://www.thegray-market.com/columns/2024/1/7/fairs-auction-houses-and-ai-five-predictions-for-the-art-market-in-2024 monthly 0.5 2024-01-08 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/2738220c-e2de-4005-ae89-9926837ba684/michael-dziedzic-X0UrDOiHaS0-unsplash.jpg Columns - Fairs, auction houses and AI: five predictions for the art market in 2024 - Make it stand out Photo by Michael Dziedzic on Unsplash http://www.thegray-market.com/columns/2024/1/3/art-fraud-has-hijacked-the-conversation-again-but-calls-for-stronger-regulation-miss-the-bigger-picture monthly 0.5 2024-01-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/c80869bd-dea6-40bb-96b4-245b74026643/bermix-studio-Tb9sgkp77LM-unsplash.jpg Columns - Art fraud has hijacked the conversation again, but calls for stronger regulation miss the bigger picture - Make it stand out Photo by Bermix Studio on Unsplash http://www.thegray-market.com/columns/2024/1/2/prints-and-multiples-may-finally-be-ready-for-the-market-spotlightit-only-took-a-few-hundred-years-of-confusion monthly 0.5 2024-01-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/ba2c6391-59d8-4f12-a421-8b73562f701d/IFPDA+TGM.jpg Columns - Prints and multiples may finally be ready for the market spotlight—it only took a few hundred years of confusion - Make it stand out A stand at the 2023 edition of the Ifpda Print Fair. Courtesy of Ifpda. http://www.thegray-market.com/columns/2024/1/1/the-1973-scull-auction-was-a-harbinger-of-todays-market-but-its-meaning-is-still-misunderstood monthly 0.5 2024-01-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/e74a078a-f121-4171-84c1-a4bd8ab1a069/andrea-de-santis-CzcpgRjLK5o-unsplash.jpg Columns - The 1973 Scull auction was a harbinger of today's market, but its meaning is still misunderstood - Make it stand out Photo by Andrea De Santis on Unsplash http://www.thegray-market.com/columns/2023/12/31/grading-my-2023-predictions monthly 0.5 2024-01-01 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/5168157a-8341-4647-b0dc-a40d1e57935d/wyron-a-GY38n9WKjQI-unsplash.jpg Columns - Grading My 2023 Predictions - Make it stand out Photo by Wyron A on Unsplash. http://www.thegray-market.com/columns/2023/8/6/what-have-i-learned-about-the-art-market-since-january-2018-a-look-back-and-a-farewell monthly 0.5 2023-08-06 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/8b9008a0-678c-4016-916b-8ec7f387ef54/Periscope_%2831509729%29.jpeg Columns - What Have I Learned About the Art Market Since January 2018? A Look Back and a Farewell - Make it stand out A periscope overlooking Paris from the Eiffel Tower. Photo by Hans Vollebreg. Courtesy of Wikimedia via Creative Commons license. http://www.thegray-market.com/columns/2023/7/28/europe-and-the-us-will-probably-regulate-ai-differently-that-will-have-long-term-consequences-for-the-global-art-market monthly 0.5 2023-07-28 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/da7b1ff3-8acd-45b7-9789-082c29bd71fa/European_Parliament_Strasbourg_Hemicycle_-_Diliff.jpeg Columns - Europe and the U.S. Will Probably Regulate A.I. Differently. That Will Have Long-Term Consequences for the Global Art Market - Make it stand out The “Hemicycle” of the European Parliament in Strasbourg, France during a plenary session in 2014. Photo by Diliff. Courtesy of Wikimedia Commons via Creative Commons License. http://www.thegray-market.com/columns/2023/7/21/is-metalabel-from-the-former-ceo-of-kickstarter-the-cure-for-the-ills-of-the-creator-economy monthly 0.5 2023-07-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/501944a3-d36d-4800-870f-beac35f4ca76/Metalabel-June-campaign-2881.jpg Columns - Is Metalabel, From the Former CEO of Kickstarter, the Cure for the Ills of the Creator Economy? - Make it stand out Wheatpasted posters promoting the June release of Metalabel's zine A New Creative Era in New York. Courtesy of Metalabel. http://www.thegray-market.com/columns/2023/7/14/he-overpaid-bid-against-himself-and-hid-a-monet-in-his-basement-heres-what-we-still-need-to-learn-from-visionary-art-dealer-joseph-duveen monthly 0.5 2023-07-14 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1f0c5f1d-d5e1-40c0-b375-4329425e79b5/Duveen+book+cover.jpg Columns - He Overpaid, Bid Against Himself, and Hid a Monet in His Basement. Here’s What We Still Need to Learn From Visionary Art Dealer Joseph Duveen - Make it stand out Your scribe’s copy of S.N. Behrman’s Duveen. Photo by the Gray Market. http://www.thegray-market.com/columns/2023/7/7/lisa-schiff-questioned-the-validity-of-art-appraisals-days-later-she-was-sued-for-fraud monthly 0.5 2023-07-07 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/0145306d-1d38-4610-83b2-eb43a069b04c/magnifying+glass+Wiki.png Columns - Lisa Schiff Questioned the Validity of Art Appraisals. Days Later, She Was Sued for Fraud - Make it stand out A magnifying glass perched coyly on a printed essay. Image by Niabot, courtesy of Wikimedia Commons via Creative Commons license. http://www.thegray-market.com/columns/2023/6/23/in-2023-you-cant-spell-art-market-without-mampahow-perrotins-sale-of-a-majority-stake-in-his-gallery-pencils-out monthly 0.5 2023-06-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/65634f93-c7a7-4571-af11-cb2634cb9e96/Perrotin.jpeg Columns - In 2023, You Can’t Spell ‘Art Market’ Without ‘M&A’—How Perrotin’s Sale of a Majority Stake in His Gallery Pencils Out - Make it stand out The facade of Perrotin's gallery at 76 Rue de Turenne in Paris's Marais district. Photo by LPLT, courtesy of Wikimedia Commons via Creative Commons License. http://www.thegray-market.com/columns/2023/6/17/apples-hotly-anticipated-mixed-reality-headset-wont-disrupt-the-art-world-but-could-help-optimize-the-market monthly 0.5 2023-06-17 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/f69c41fd-42fe-4ab2-93ed-6ef3619b7376/Apple+Vision+Pro+EyeSight.png Columns - Apple’s Hotly Anticipated Mixed-Reality Headset Won’t Disrupt the Art World, But Could Help Optimize the Market - Make it stand out The EyeSight feature on Apple’s Vision Pro creates a real-time digital animation of the user’s eyes when people approach. Courtesy of Apple. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/c65aca96-2b12-45a6-99e2-6286069d654d/Apple-WWCD23-Vision-Pro-FaceTime-230605.jpg Columns - Apple’s Hotly Anticipated Mixed-Reality Headset Won’t Disrupt the Art World, But Could Help Optimize the Market - Make it stand out Rendering of a user experiencing FaceTime in the Vision Pro’s “spatial computing” environment. Courtesy of Apple. http://www.thegray-market.com/columns/2023/6/12/la-art-phenom-adam-alessi-has-blazed-a-trail-to-new-york-his-warped-figures-are-avatars-of-an-unsettled-art-world monthly 0.5 2023-06-12 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1036a228-e072-4a01-bb9e-4ce8993d16e1/AALE2304006-image.jpg Columns - L.A. Art Phenom Adam Alessi Has Blazed a Trail to New York. His Warped Figures Are Avatars of an Unsettled Art World - Make it stand out Adam Alessi, The Walker (2023). © JSP Art Photography, courtesy of the artist and C L E A R I N G, New York / Brussels / Los Angeles. http://www.thegray-market.com/columns/2023/5/12/why-should-artists-care-about-the-writers-strike-because-they-work-under-the-same-global-pressures monthly 0.5 2023-05-12 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/c28227b6-d9da-4d9d-994f-71b2bdea14c9/52878690726_4b6d2f6548_k.jpg Columns - Why Should Artists Care About the Writers’ Strike? Because They Work Under the Same Global Pressures - Make it stand out Writers Guild of America members picketing outside Netflix headquarters in Los Angeles in May 2023. Photo by Chris Gold, courtesy of Flickr via Creative Commons license. http://www.thegray-market.com/columns/2023/5/5/is-an-art-market-correction-imminent-or-is-the-worst-already-over-experts-are-leaning-one-way-heading-into-spring-sales-season monthly 0.5 2023-05-05 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/09617a04-3f36-43ed-a5f6-c1a1873f4ef1/The_Riddler_Revenge_Pendulum_Ride_Sign.jpeg Columns - Is an Art Market Correction Imminent, or Is the Worst Already Over? Experts Are Leaning One Way Heading Into Spring Sales Season - Make it stand out A sign for the Riddler Revenge theme park ride. Photo by Louis Reed, courtesy of Wikimedia Commons via Creative Commons license. http://www.thegray-market.com/columns/2023/4/27/what-an-ai-generated-pop-hit-reveals-about-the-value-of-mystique-in-the-age-of-ai-art monthly 0.5 2023-04-28 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/6a9ca294-0e2e-4e8c-9ff7-f761a0915a51/Drake_July_2016.jpeg Columns - What an 'A.I.-Generated' Pop Hit Reveals About the Value of Mystique in the Age of A.I. Art - Make it stand out Drake performing in 2016. Photo by the Come Up Show. Courtesy of Wikimedia Commons via Creative Commons license. http://www.thegray-market.com/columns/2023/4/20/bye-bye-benefit-auctions-why-major-galleries-and-nonprofits-are-taking-a-new-approach-to-charitable-giving monthly 0.5 2023-04-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/6e59571a-1fc2-4da3-a05c-5a671039caf3/IMG_5850.jpeg Columns - Bye-Bye, Benefit Auctions? Why Major Galleries and Nonprofits Are Taking a New Approach to Charitable Giving - Make it stand out Pamela Rosenkranz, I Wish I Could Cry Blood (Stare Circle) (2021), in “Sprüth Magers x Artadia: An Exhibition to Benefit the Next Generation of Artists” at Sprüth Magers New York. Photo by Tim Schneider. http://www.thegray-market.com/columns/2023/4/14/donald-trump-is-leading-the-news-again-get-ready-to-see-him-all-over-the-art-world-again-too monthly 0.5 2023-04-14 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/fd8e6479-b4fe-4eae-b51c-67a08270a333/Donald_Trump_by_Gage_Skidmore_2.jpeg Columns - Donald Trump Is Leading the News Again. Get Ready to See Him All Over the Art World Again, Too - Make it stand out Donald Trump speaking at the Conservative Political Action Coalition (CPAC) in 2011. Photo by Gage Skidmore, courtesy of Wikimedia Commons via Creative Commons license. http://www.thegray-market.com/columns/2023/4/6/dont-believe-the-resistance-is-futile-hype-when-it-comes-to-ai-and-art monthly 0.5 2023-04-07 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/74dcda95-b047-4055-a9de-f0c2120dba67/SDN-Kevin-McCoy-Quantum-copy.jpeg Columns - Don’t Believe the ‘Resistance-Is-Futile’ Hype When It Comes to A.I. and Art - Make it stand out Kevin McCoy, Quantum (2014). Courtesy of Sotheby's. http://www.thegray-market.com/columns/2023/3/30/how-an-upstart-magazine-grew-into-one-of-this-centurys-best-talent-spotting-galleries monthly 0.5 2023-03-31 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/50e1fb31-03d3-4c42-b774-390635ae3093/LOYAL+Martin+and+Amy.jpg Columns - How an Upstart Magazine Grew Into One of This Century’s Best Talent-Spotting Galleries - Make it stand out Martin Lilja and Amy Giunta of Loyal Gallery. Photo: Jean-Baptiste Béranger, courtesy of Loyal. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/ac0fcd90-a7b7-40ee-93d8-4921ffa568ae/Eddie+Martinez%2C+New+Paintings+2%2C+Mar+20%E2%80%93May+15%2C+2021+%282%29.jpeg Columns - How an Upstart Magazine Grew Into One of This Century’s Best Talent-Spotting Galleries - Make it stand out Installation view of “Eddie Martinez: New Paintings 2,” at Loyal, Stockholm, in March 2021. Photo: Jean-Baptiste Béranger, courtesy of Loyal. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/f41e6d60-bc1f-4ee3-9671-d69908886818/Michelle+Blade%2C+The+Blue+Horse%2C+April+27%E2%80%93May+28%2C+2022.jpeg Columns - How an Upstart Magazine Grew Into One of This Century’s Best Talent-Spotting Galleries - Make it stand out Installation view of “Michelle Blade: The Blue Horse,” at Loyal, Stockholm, in April 2022. Photo: Jean-Baptiste Béranger, courtesy of Loyal. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/f7c295ee-5346-4084-af7e-f1763bd8154a/Loyal-2023-02-21_034+copy.jpeg Columns - How an Upstart Magazine Grew Into One of This Century’s Best Talent-Spotting Galleries - Make it stand out Installation view of “Loyal @ El Royale,” Loyal’s pop-up exhibition at the El Royale Apartments during Frieze Los Angeles 2023, featuring works by (L to R) Hiejin Yoo, Diana Yesenia Alvarado, and Andrea Marie Breiling. Photo: Jeff McLane, courtesy of Loyal. http://www.thegray-market.com/columns/2023/3/23/heres-who-financial-turmoil-is-likely-to-hit-hardest-in-the-art-industryand-the-unlikely-type-of-business-it-may-accelerate monthly 0.5 2023-03-27 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/4926a752-1199-4ded-b752-22704ec45a1f/49225849721_bb16c5f375_k.jpg Columns - Here’s Who Financial Turmoil Is Likely to Hit Hardest in the Art Industry—and the Unlikely Type of Business It May Accelerate - Make it stand out The vault at a First National Bank branch in Kansas City, Missouri. Photo by Sean Marshall. Courtesy of Flickr via Creative Commons License. http://www.thegray-market.com/columns/2023/3/16/progress-helped-destroy-silicon-valley-bank-stasis-should-shield-the-art-market monthly 0.5 2023-03-17 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/0735059e-c0b6-49e9-ad20-02daca67d2dc/52740131461_2742db5665_k.jpg Columns - Progress Helped Destroy Silicon Valley Bank. Stasis Should Shield the Art Market - Make it stand out The Silicon Valley Bank logo overlaying a scrappy startup conference room scene. Image by Alpha Bank. Courtesy of Flickr, via Creative Commons License. http://www.thegray-market.com/columns/2023/3/12/new-yorks-new-art-map-what-9-years-of-data-about-gallery-openings-reveal-about-the-shifting-geography-of-cool monthly 0.5 2023-03-12 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/c718acdd-77e3-4e51-8d83-a3e31e075e84/NYC_Downtown_Manhattan_Skyline_seen_from_Paulus_Hook_2019-12-20_IMG_7347_FRD_%28cropped%29.jpeg Columns - New York’s New Art Map: What 9 Years of Data About Gallery Openings Reveal About the Shifting Geography of Cool - Make it stand out The Manhattan skyline in December 2019. Photo by Fred Hsu. Courtesy of Wikimedia Commons, via Creative Commons License. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/4150f35c-0dec-4d60-89a6-1f134b59d573/2023_SeeSaw_All+Neighborhoods+w+Key.png Columns - New York’s New Art Map: What 9 Years of Data About Gallery Openings Reveal About the Shifting Geography of Cool - Make it stand out Data courtesy of See Saw. Data visualization by Tim Schneider. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/6240d482-5d37-46fe-aaee-e4230bf7d555/2023_SeeSaw_Tribeca_Chelsea_Uptown.png Columns - New York’s New Art Map: What 9 Years of Data About Gallery Openings Reveal About the Shifting Geography of Cool - Make it stand out Data courtesy of See Saw. Data visualization by Tim Schneider. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/b87f1405-d00c-45c8-a1ad-3f3aa2ae8302/2023_SeeSaw_LES_Ctown_BK.png Columns - New York’s New Art Map: What 9 Years of Data About Gallery Openings Reveal About the Shifting Geography of Cool - Make it stand out Data courtesy of See Saw. Data visualization by Tim Schneider. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/07bf9ba5-c1f5-433a-8a92-25ef41bd94e0/2023_SeeSaw_Tribeca_EV_NoHo_SoHo.png Columns - New York’s New Art Map: What 9 Years of Data About Gallery Openings Reveal About the Shifting Geography of Cool - Make it stand out Data courtesy of See Saw. Data visualization by Tim Schneider. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/c9aec04b-9b7b-4540-b090-dfa3c7a7b766/2023_SeeSaw_NYC+Neighborhoods+Map.jpg Columns - New York’s New Art Map: What 9 Years of Data About Gallery Openings Reveal About the Shifting Geography of Cool - Make it stand out Color-coded map of downtown New York gallery neighborhoods as of March 1, 2023. Illustration by See Saw. http://www.thegray-market.com/columns/2023/3/3/the-virality-of-that-broken-jeff-koons-sculpture-says-a-lot-about-arts-place-in-the-mainstream monthly 0.5 2023-03-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/8c3c69f5-6b72-4db8-985d-331b585e2d49/Shattered+koons.jpeg Columns - The Virality of That Broken Jeff Koons Sculpture Says a Lot About Art's Place in the Mainstream - Make it stand out Shattered into pieces: Jeff Koons's Balloon Dog got knocked over and broken at Art Wynwood on February 16, 2023. Photo courtesy of Cédric Boero, district manager of Bel-Air Fine Art. http://www.thegray-market.com/columns/2023/2/17/crypto-is-still-in-crisis-so-why-are-institutions-embracing-nfts-like-never-before monthly 0.5 2023-02-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/9a40e286-decc-4871-aa36-964d30b54f39/Matt-DesLauriers-Meridian-547-576x1024.jpeg Columns - Crypto Is Still in Crisis. So Why Are Institutions Embracing NFTs Like Never Before? - Make it stand out Matt DesLauriers, Meridian #547 (2021). Collection of the Los Angeles County Museum of Art, gift of the Cozomo de’ Medici Collection. Courtesy of the Los Angeles County Museum of Art. http://www.thegray-market.com/columns/2023/2/9/the-traditional-borders-of-taste-have-melted-down-the-way-we-talk-about-the-art-market-is-still-catching-up monthly 0.5 2023-02-10 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/2be378b5-4ade-42d3-ac7b-020cc497005d/_MG_0135+copy.jpg Columns - The Traditional Borders of Taste Have Melted Down. The Way We Talk About the Art Market Is Still Catching Up - Make it stand out Installation view of "Drawings by Sculptors" at Helena Anrather gallery. Courtesy of Helena Anrather. http://www.thegray-market.com/columns/2023/2/3/us-lawmakers-are-suckers-for-star-power-thats-a-big-obstacle-to-reining-in-ai-image-generators monthly 0.5 2023-02-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/f0f067d9-ba79-49a3-b60b-1cc36800a66b/Anna+Lucia+Twitter+Output+2.png Columns - U.S. Lawmakers Are Suckers for Star Power. That’s a Big Obstacle to Reining in A.I. 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Courtesy of Management. http://www.thegray-market.com/columns/2023/1/19/heres-what-the-alarming-cancellation-of-masterpiece-london-does-and-does-not-mean-for-the-art-business-in-2023 monthly 0.5 2023-01-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/3e73d7aa-27d6-4258-b4e7-af4ee5f24d44/Tric_Masterpiece.jpeg Columns - Here’s What the Alarming Cancellation of Masterpiece London Does (And Does Not) Mean for the Art Business in 2023 - Make it stand out A Triceratops skull on view at David Aaron gallery’s booth at Masterpiece London 2022. Photo by CW136. Courtesy of Wikimedia Commons via Creative Commons License. http://www.thegray-market.com/columns/2023/1/13/government-regulators-are-zeroing-in-on-the-metaverse-digital-art-could-get-caught-in-the-middle monthly 0.5 2023-01-13 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/2b3e80e6-862b-4c3f-89c8-01e15bf3a48f/capitol+hill.jpeg Columns - Government Regulators Are Zeroing in on the Metaverse. Digital Art Could Get Caught in the Middle - Make it stand out Capitol Hill at dusk. Photo by Jesse Collins. Courtesy of Wikimedia Commons via Creative Commons License. http://www.thegray-market.com/columns/2023/1/5/8-highly-specific-predictions-for-the-art-industry-in-2023-including-an-art-fair-death-foretold monthly 0.5 2023-01-06 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/5c5686ce-20f1-46ae-bbee-d4e1d7725ac5/Bijl.jpeg Columns - 8 Highly Specific Predictions for the Art Industry in 2023 (Including an Art-Fair Death Foretold) - Make it stand out Installation view of Guillaume Bijl's "Fortune Teller" (2021). Courtesy of Meredith Rosen Gallery. http://www.thegray-market.com/columns/2022/12/22/evaluation-season-grading-my-2022-art-industry-predictions monthly 0.5 2022-12-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/a9454144-3865-4116-ace7-f4c3bf24d01d/48445500751_d319ca2789_k.jpg Columns - Evaluation Season: Grading My 2022 Art Industry Predictions - Make it stand out Photo by Four Bricks Tall. Courtesy of Flickr via Creative Commons License. http://www.thegray-market.com/columns/2022/12/15/how-random-international-maker-of-the-immersive-sensation-rain-room-is-bringing-the-experiential-art-business-into-the-21st-century monthly 0.5 2022-12-16 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/ff9cfaf5-e4c7-48f4-9ca4-0a2de8097beb/D85_0470+copy.jpg Columns - How Random International, Maker of the Immersive Sensation ‘Rain Room,’ Is Bringing the Experiential Art Business Into the 21st Century - Make it stand out Visitors inside Random International’s Living Room (2022). Photo by Esteban Schunemann. Courtesy of Random International and Aorist. http://www.thegray-market.com/columns/2022/12/8/why-the-crypto-winter-could-actually-be-a-good-thing-for-digital-art-and-engagement monthly 0.5 2022-12-09 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/4ee55f14-add2-4d38-ac57-7d9b4cf8f030/344A5729.jpg Columns - Why the Crypto Winter Could Actually Be a Good Thing for Digital Art and Engagement - Make it stand out Users engage with artist Carla Gannis's augmented-reality work Welcome to the wwwunderkammer (2022), the first of PAMM's New Realities commissions. Photo: Lazaro Llanes. Courtesy Pérez Art Museum Miami. http://www.thegray-market.com/columns/2022/12/3/what-the-colossal-failure-of-ftx-means-for-art-basels-efforts-to-thrust-the-art-industry-into-its-crypto-era monthly 0.5 2022-12-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1596ceff-76f0-47e0-b5b4-3b565535b046/Arcual+launch+event.jpeg Columns - What the Colossal Failure of FTX Means for Art Basel’s Efforts to Thrust the Art Industry Into Its Crypto Era - Make it stand out The merch-laden pool at the rooftop launch event for Arcual, the new blockchain-based transaction platform from MCH Group, the Luma Foundation, and BCG Digital Ventures, at Art Basel Miami Beach 2022. 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Courtesy of Wikimedia via Creative Commons license. http://www.thegray-market.com/columns/2022/11/10/what-the-rising-tide-of-art-vandalism-tells-us-about-where-we-are-headed-as-a-culture monthly 0.5 2022-11-11 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/9644163b-9d60-4cce-971a-318017e201ac/Screen+Shot+2022-11-09+at+7.42.56+PM.png Columns - What the Rising Tide of Art Vandalism Tells Us About Where We Are Headed as a Culture - Make it stand out Screen capture of a tweet from Lil Nas X riffing on the climate protesters who threw soup at the van Gogh in London’s National Gallery in October. http://www.thegray-market.com/columns/2022/11/3/how-the-art-and-music-industries-have-begun-to-value-young-talent-differentlyand-why-it-matters monthly 0.5 2022-11-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/43724675-dbeb-494e-9e42-c8054a27417a/MS+uc+chart.png Columns - How the Art and Music Industries Have Begun to Value Young Talent Differently—and Why It Matters - Make it stand out © 2022 Artnet Worldwide Corporation. Courtesy of Artnet. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/84984c24-7b54-4d43-b6f7-c436b907da6b/50471571277_f009aa7be2_k.jpg Columns - How the Art and Music Industries Have Begun to Value Young Talent Differently—and Why It Matters - Make it stand out Pablo Picasso, The Old Guitarist (1903–04). Photo by Steven Zucker/Smarthistory. Courtesy of Flickr via Creative Commons license. http://www.thegray-market.com/columns/2022/10/27/what-galleries-can-learn-about-poaching-artists-from-soccer-star-neymars-transfer-deal-gone-wrong monthly 0.5 2022-10-28 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/820ed84e-caec-4834-958e-574e6d72e801/Neymar_-_FC_Barcelona_-_2015.jpeg Columns - What Galleries Can Learn About Poaching Artists From Soccer Star Neymar’s Transfer Deal Gone Wrong - Make it stand out Neymar on the pitch for his then-side, F.C. Barcelona, during a 2015 match against Villareal. Photo: Alex Fau, with editing by Danyele. Courtesy of Wikimedia via Creative Commons license. http://www.thegray-market.com/columns/2022/10/20/how-to-avoid-the-worst-traps-of-the-ai-assisted-artwork-debate monthly 0.5 2022-10-31 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/ea5ea1cb-4216-49be-ba07-0029a3a3be80/still-0.png Columns - How to Avoid the Worst Traps of the A.I.-Assisted Artwork Debate - Make it stand out Jacky Connolly, still from Descent Into Hell (2022). 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Courtesy of Wikimedia, via Creative Commons License. http://www.thegray-market.com/columns/2022/4/28/what-the-art-world-can-learn-from-the-creators-of-moneyball-and-their-skepticism-about-the-quantitative-revolution monthly 0.5 2022-04-29 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/ee30c464-bdfb-4d0d-a4d7-37246741b46a/Moneyball+cover.jpeg Columns - What the Art World Can Learn From the Creators of ‘Moneyball’ and Their Skepticism About the Quantitative Revolution - Make it stand out A book that changed more than its author ever anticipated. http://www.thegray-market.com/columns/2022/4/21/worldwide-annual-art-sales-still-havent-grown-significantly-since-2014-here-are-5-theories-why monthly 0.5 2022-04-22 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/e187ee90-db2b-4556-ba5d-82aae68edfcb/artnet_news_intelligence_data_dive-post.jpg Columns - Worldwide Annual Art Sales Still Haven’t Grown Significantly Since 2014. Here Are 5 Theories Why - Make it stand out © 2022 Artnet Worldwide Corporation. http://www.thegray-market.com/columns/2022/4/14/how-dozens-of-gallery-expansions-hide-the-brutal-reality-of-real-estate-todayand-how-a-proposed-law-could-help monthly 0.5 2022-04-15 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/d7e05dd1-42eb-4712-964b-7a3f5d74b868/5968295621_5321ceb4d0_k.jpg Columns - How Dozens of Gallery Expansions Hide the Brutal Reality of Real Estate Today—and How a Proposed Law Could Help - Make it stand out A vacant storefront in Greenwich Village. Photo by Jason Tester. Courtesy of Flickr, via Creative Commons license. http://www.thegray-market.com/columns/2022/4/7/how-instagrams-pivot-to-video-threatens-to-collapse-a-major-pillar-of-the-art-world-economy monthly 0.5 2022-04-08 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/574f93bc-37ee-4dee-b8dd-2bd5eb0735b0/1024px-Instagram-Icon.png Columns - How Instagram’s Pivot to Video Threatens to Collapse a Major Pillar of the Art-World Economy - Make it stand out The Instagram icon (duh). Image by TakipçiMatik. Courtesy of Wikipedia, via Creative Commons license. http://www.thegray-market.com/columns/2022/3/24/what-the-art-industry-stands-to-learn-from-the-brewing-anxiety-over-epic-games-acquisition-of-bandcamp monthly 0.5 2022-03-25 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/2907ce71-d285-43bf-bd77-209ea21a0db2/fortnite+e3.jpeg Columns - What the Art Industry Stands to Learn From the Brewing Anxiety Over Epic Games’ Acquisition of Bandcamp - Make it stand out Epic Games’s Fortnite booth at the e3 conference in 2018. Photo by Sergey Galyonkin. Courtesy of Wikimedia, via Creative Commons license. http://www.thegray-market.com/columns/2022/3/17/yuga-labs-just-spent-untold-money-to-consolidate-the-worlds-biggest-nft-franchises-that-doesnt-mean-it-can-buy-fandom monthly 0.5 2022-03-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/670b0c4a-2b21-4027-b8f3-1a1ecfc9f1c9/1_Bored.Mockup.lt.blue3.0.jpg Columns - Yuga Labs Just Spent Untold Money to Consolidate the World’s Biggest NFT Franchises. That Doesn’t Mean It Can Buy Fandom - Make it stand out A mockup of offerings from the forthcoming Bored and Hungry burger pop up in Long Beach, California. Courtesy of Bored and Hungry. http://www.thegray-market.com/columns/2022/3/10/want-to-succeed-as-an-nft-artist-here-are-5-things-to-know-from-a-new-data-driven-study monthly 0.5 2022-03-11 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/8b4ee773-d175-4b48-96f6-ff64897f319b/fig2.jpg Columns - Want to Succeed as an NFT Artist? Here Are 5 Things to Know From a New Data-Driven Study - Make it stand out Earnings of Foundation artists in relation to follower count on Foundation versus Twitter, showing the former is exponentially more important to sales than the latter. Courtesy of Barabási Lab. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/985d40c8-f3f8-422b-89e9-878baaaeb97f/Screen+Shot+2022-03-08+at+7.59.36+PM.png Columns - Want to Succeed as an NFT Artist? Here Are 5 Things to Know From a New Data-Driven Study - Make it stand out Segmentation of individuals artists’ prices (left), max earnings by group (middle), and mean selling price by group (right) based on their initial reputation. Courtesy of Barabási Lab. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/81af0219-26ae-4e77-8caf-17e9c96ef0ab/fig3-a.jpg Columns - Want to Succeed as an NFT Artist? Here Are 5 Things to Know From a New Data-Driven Study - Make it stand out Network map of the 204 artist clusters that emerged during Foundation’s first 100 days, showing which artists invited which others onto the platform. The 20 largest clusters by quantity of artists are each displayed in a different color, with each node corresponding to a single artist, and the size of each node corresponding to that artist’s sales volume. Courtesy of Barabási Lab. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/8537f7f9-f1b0-44d8-a164-97ca922c66bc/fig1-h.jpg Columns - Want to Succeed as an NFT Artist? Here Are 5 Things to Know From a New Data-Driven Study - Make it stand out Selling prices of Foundation artists segmented by the period during which they joined the platform, showing a first-mover advantage between groups. Courtesy of Barabási Lab. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/0926417f-59f0-4e75-aa0a-01461ddef63c/Buyer+comp.png Columns - Want to Succeed as an NFT Artist? Here Are 5 Things to Know From a New Data-Driven Study - Make it stand out Comparison of nine artists’ offerings, sales volume, bidder counts, and collector counts based on earnings level. Visualization by Barabási Lab. Courtesy of Barabási Lab. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/cc5b3325-e101-49a0-b60c-c53db663f1b2/Collector+network.png Columns - Want to Succeed as an NFT Artist? Here Are 5 Things to Know From a New Data-Driven Study - Make it stand out A data visualization of Foundation's collector network, with collectors as nodes and their joint NFT bids as links. The nodes are sized based on maximum investment. All but the top 10 collectors appear in pink. Courtesy of Barabási Lab. http://www.thegray-market.com/columns/2022/2/24/a-deeper-look-at-how-paid-advocates-for-the-art-industry-lobby-in-washington monthly 0.5 2022-02-25 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/c9a39b79-588c-4b33-b6c3-0e704c04ea39/1024px-USCapitolRotunda.jpeg Columns - A Deeper Look at How Paid Advocates for the Art Industry Lobby in Washington - Make it stand out A view of the Capitol rotunda in Washington, D.C. Photo: Matt H. Wade. Courtesy of Wikimedia via Creative Commons License. http://www.thegray-market.com/columns/2022/2/17/who-knew-the-art-industry-spends-millions-of-dollars-on-washington-lobbyists monthly 0.5 2022-02-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/ab42deeb-7f8d-445a-88e2-929bdb656279/Capitol_Hill_and_Reflecting_Pool.jpeg Columns - Who Knew the Art Industry Spends Millions of Dollars on Washington Lobbyists? - Make it stand out A view of Capitol Hill in Washington, D.C. from the National Mall. Photo by Zach Rudsin. Courtesy of Wikimedia via Creative Commons License. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/720129c0-7be0-45b6-9681-f92bf57cea3c/2022_02_15+UPDATED+lobbying+bar.png Columns - Who Knew the Art Industry Spends Millions of Dollars on Washington Lobbyists? - Make it stand out © 2022 The Gray Market. http://www.thegray-market.com/columns/2022/2/10/how-the-unmasking-of-the-bored-ape-yacht-club-founders-reveals-the-true-dangers-of-anonymity-in-the-metaverse monthly 0.5 2022-02-11 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/5a6a2fde-d087-400b-8d69-9b06a53d85d5/Bored-Apes_Yuga-Labs.jpg Columns - How the Unmasking of the Bored Ape Yacht Club Founders Reveals the True Dangers of Anonymity in the Metaverse - Make it stand out The Bored Apes used as avatars by Yuga Labs cofounders Wylie Aronow (fka Gordon Goner) and Greg Solano (fka Gargamel). http://www.thegray-market.com/columns/2022/2/3/why-art-businesses-are-once-again-drunk-on-growth-and-racing-to-scale-up monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/45617250-4637-4f90-9677-c8391aa3df2b/KG+exterior.jpeg Columns - Why Art Businesses Are Once Again Drunk on Growth and Racing to Scale Up - Make it stand out Courtyard view of Los Angeles's Kayne Griffin gallery, which will become Pace L.A. in April thanks to a newly announced deal. Courtesy of Pace. http://www.thegray-market.com/columns/2022/1/27/why-resale-restrictions-are-another-arena-for-artists-to-flex-their-muscles-in-a-talent-driven-art-market monthly 0.5 2022-01-28 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/cb6582c5-54fc-48fe-98f3-6fba8dfdf1c0/15595058680_4f88c61dc8_k.jpg Columns - Why Resale Restrictions Are Another Arena for Artists to Flex Their Muscles in a Talent-Driven Art Market - Make it stand out Jeff Koons, detail of Popeye (2009–11). Photo by Thomas Hawk. Courtesy of Creative Commons license Attribution–Noncommercial 2.0. http://www.thegray-market.com/columns/2022/1/20/4-burning-questions-about-resale-restrictions-ignited-by-the-markets-latest-art-flipping-scandal monthly 0.5 2022-01-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/bfc6e0d1-924a-430f-8281-b9b98e55f5f7/1024px-3D_Judges_Gavel.jpeg Columns - 4 Burning Questions About Resale Restrictions Ignited by the Market’s Latest Art-Flipping Scandal - Make it stand out 3D rendering of a judge's gavel. Imagery by Chris Potter. Courtesy of Creative Commons Attribution 2.0. http://www.thegray-market.com/columns/2022/1/13/why-one-crypto-critics-thought-experiment-may-actually-point-the-way-forward-for-digital-art monthly 0.5 2022-01-14 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/fd357fb3-52a7-4363-8e63-f03d93083434/Moxie+grab.png Columns - Why One Crypto Critic’s Thought Experiment May Actually Point the Way Forward for Digital Art - Make it stand out Screen grab of an illustration explaining Moxie Marlinspike’s NFT experiment, on Moxie.org. http://www.thegray-market.com/columns/2022/1/6/10-adventurous-highly-specific-predictions-for-the-art-world-in-2022 monthly 0.5 2022-01-07 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/ae39373a-1238-42f7-9ddc-1c34593c3d3d/1024px-Prophet_from_a_Throne_of_Solomon_MET_DT3911.jpeg Columns - 10 Adventurous, Highly Specific Predictions for the Art World in 2022 - Make it stand out Unknown artist, Prophet from a Throne of Solomon (ca. 1390–1410), from the Cloisters Collection. Photo by the Metropolitan Museum of Art. Courtesy of the Metropolitan Museum of Art via Creative Commons license. http://www.thegray-market.com/columns/2021/12/30/how-my-10-highly-specific-art-world-predictions-for-2021-worked-out monthly 0.5 2021-12-31 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/0f8d5a82-aada-4bb7-8dfd-1e64951f4058/Belerique+selfie.jpeg Columns - How My 10 Highly Specific Art-World Predictions for 2021 Worked Out - Make it stand out Rear-view mirror selfie courtesy of Nadia Belerique’s HOLDINGS (2020–ongoing). Photo by the Gray Market. http://www.thegray-market.com/columns/2021/12/16/how-prices-for-in-demand-living-artists-accelerated-to-hair-raising-new-speeds-in-2021 monthly 0.5 2021-12-17 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/dc1525bc-3a0e-40e2-9213-c81c08130925/Avery+Singer+Happening+2021.jpeg Columns - How Prices for In-Demand Living Artists Accelerated to Hair-Raising New Speeds in 2021 - Make it stand out Avery Singer, Happening (2021). Photo by the Gray Market. http://www.thegray-market.com/columns/2021/12/9/why-the-art-market-is-unlikely-to-be-affected-by-the-omicron-variant monthly 0.5 2021-12-10 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/c3434127-b8c2-4bc5-a696-dc92a9ecb67c/Social+dachshund+era.jpeg Columns - Why the Art Market Is Unlikely to Be Affected by the Omicron Variant - Make it stand out A friendly reminder from a 24/7 diner in Miami Beach that saved my life one very late night during Miami Art Week 2021. Photo by the Gray Market. http://www.thegray-market.com/columns/2021/12/3/art-and-nfts-are-wooing-each-other-in-miami-but-whether-the-romance-lasts-is-far-from-a-given monthly 0.5 2021-12-15 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/b35d3277-2301-41f8-bbcc-6e2ccdea2016/Tezos+booth+1.jpeg Columns - Art and NFTs Are Wooing Each Other in Miami. But Whether the Romance Lasts Is Far From a Given - Make it stand out Installation view of the Tezos booth "Human + Machine," featuring interactive works by Mario Klingemann, at Art Basel Miami Beach 2021. Photo by the Gray Market. http://www.thegray-market.com/columns/2021/11/19/why-nfts-are-just-the-latest-example-of-how-auction-houses-are-blurring-the-line-between-the-primary-and-secondary-markets monthly 0.5 2021-11-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/3d41f498-0492-4f09-b73e-75b2954911b2/SDN-Mad-Dog-Jones-Visor-copy.jpg Columns - Why NFTs Are Just the Latest Example of How Auction Houses Are Blurring the Line Between the Primary and Secondary Markets - Make it stand out Mad Dog Jones, Visor (2021), sold for just under $202,000 at Sotheby's "Natively Digital" NFT auction in June 2021. Image courtesy Sotheby's. http://www.thegray-market.com/columns/2021/11/11/why-shocks-to-the-labor-market-and-global-supply-chain-mean-the-arts-are-paying-more-to-get-less monthly 0.5 2021-11-12 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/f97ba482-1e36-458a-9398-eda746556604/1024px-MAERSK_MC_KINNEY_MO%CC%88LLER_%26_MARSEILLE_MAERSK_%2848694054418%29.jpeg Columns - Why Shocks to the Labor Market and Global Supply Chain Mean the Arts Are Paying More to Get Less - Make it stand out A Maersk container ship. Photo by Kees Torn. Courtesy of Wikimedia Commons via Creative Commons License. http://www.thegray-market.com/columns/2021/11/4/4-ways-the-crypto-space-is-splintering-from-the-art-world-as-seen-at-this-weeks-blockbuster-nft-conference monthly 0.5 2021-11-05 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/02507314-8d6e-4df5-af32-cdf299cbc74c/Olive%2BAllen%2Bat%2BArt%2Bbasel%2BMiami%2Bstanding%2Bnext%2Bto%2Bher%2Bartwork.jpeg Columns - 4 Ways the Crypto Space Is Splintering From the Art World, as Seen at This Week's Blockbuster NFT Conference - Make it stand out Artist Olive Allen with her NFT work Post-Death or the Null Address (2021) in Galerie Nagel Draxler’s booth at Art Basel 2021. Courtesy Olive Allen. http://www.thegray-market.com/columns/2021/10/28/why-the-ford-foundations-commitment-to-renewable-energy-investments-doesnt-go-far-enough monthly 0.5 2021-10-28 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/37756db8-3711-4bef-af31-7bb794b9123d/kendler+lounging.jpeg Columns - Why the Ford Foundation’s Commitment to Renewable Energy Investments Doesn’t Go Far Enough - Make it stand out Jenny Kendler and Jeremy Bolen, Lounging Through the Flood (2019). Courtesy of the artists. http://www.thegray-market.com/columns/2021/10/21/why-the-art-markets-pivot-to-asia-is-about-more-than-chasing-new-wealth monthly 0.5 2021-10-22 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/644a5687-608f-4c22-9021-e40b424ee27f/LG+HK+2021+Mesler+In+the+Beginning+03.jpg Columns - Why the Art Market’s Pivot to Asia Is About More Than Chasing New Wealth - Make it stand out Installation view of "Joel Mesler: In the Beginning," at Lévy Gorvy Hong Kong in June 2021. Photo by Kitmin Lee. Courtesy Lévy Gorvy. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/c8c89ba8-0601-4038-b469-1d8f01a1e23f/Better+new+millionaires+labeled.png Columns - Why the Art Market’s Pivot to Asia Is About More Than Chasing New Wealth - Make it stand out Data from Credit Suisse's 2021 Global Wealth Report. Visualization by the Gray Market. http://www.thegray-market.com/columns/2021/10/7/a-non-techies-handbook-for-ai-art-authentication monthly 0.5 2021-10-14 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1633654884033-KEDEYQST6EFOM0XD7GPU/Samson+and+Delilah.jpg Columns - A Non-Techie's Handbook for A.I. Art Authentication - Make it stand out Peter Paul Rubens, Samson and Delilah (1609–10). Photo by Li Taipo. Courtesy of a Creative Commons License. http://www.thegray-market.com/columns/2021/9/29/why-the-art-industry-should-brace-itself-for-the-permanent-staycation-era monthly 0.5 2021-10-01 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1632961916162-FLN3U1Y4A4VCU5TZ0KRQ/2021+vs+2019+TSA+screenings.png Columns - Why the Art Industry Should Brace Itself for the Permanent Staycation Era - Make it stand out Data by Sivak Applied Research. Chart by the Gray Market. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1632962312048-SU3GXX75L5ERFTESWOPK/1024px-Belber_Suitcase.jpeg Columns - Why the Art Industry Should Brace Itself for the Permanent Staycation Era - Make it stand out A vintage, stickered-up Belber suitcase, which art-world road warriors might start getting nostalgic about soon enough. Photo by Sandrine Z. Courtesy of Wikimedia Commons via Creative Commons License. http://www.thegray-market.com/columns/2021/9/23/why-the-wave-of-climate-crisis-art-is-more-than-just-virtue-signaling-even-if-its-not-enough monthly 0.5 2021-09-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1632441307973-QX0ST8EPZKLX078Z47QR/MD085_StillFalling4U.jpg Columns - Why the Wave of Climate-Crisis Art Is More Than Just Virtue-Signaling, Even If It's Not Enough - Make it stand out Melanie Daniel, Still Falling 4 U (2021). Courtesy of Asya Geisberg Gallery, New York. http://www.thegray-market.com/columns/2021/9/16/how-the-platform-delusion-of-big-tech-helps-explain-why-galleries-are-finally-turning-away-from-big-art-fairs monthly 0.5 2021-09-17 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1631840801241-638LDK074ZIZEY3JZTMD/Armory+Ovule.jpeg Columns - How the ‘Platform Delusion’ of Big Tech Helps Explain Why Galleries Are Finally Turning Away From Big Art Fairs - Make it stand out Installation view of Tau Lewis's Opus (The Ovule) (2020), presented by Night Gallery, at the 2021 Armory Show. Photograph by Casey Kelbaugh http://www.thegray-market.com/columns/2021/9/9/why-art-basels-16-million-solidarity-fund-creates-one-of-the-most-compelling-social-experiments-in-art-market-history monthly 0.5 2021-09-10 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1631196878045-32KBAY04Q32HIX5RH4AM/03tmag-basel-jumbo-1024x683.jpeg Columns - Why Art Basel’s $1.6 Million ‘Solidarity Fund’ Creates One of the Most Compelling Social Experiments in Art-Market History - Make it stand out The lines to get into Art Basel Miami Beach in 2019. Courtesy of Art Basel. http://www.thegray-market.com/columns/2021/9/2/why-facebooks-virtual-office-initiative-raises-big-questions-about-the-return-of-live-art-fairs monthly 0.5 2021-09-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1630636000133-C2CQ9TEQXNUMHLSA9F3I/FB+HZ+WR.jpeg Columns - Why Facebook's Virtual Office Initiative Raises Big Questions About the Return of Live Art Fairs - Make it stand out Screen cap from Facebook’s Horizon Workrooms demo. http://www.thegray-market.com/columns/2021/8/19/coffee-and-psilocybin-why-two-seemingly-very-different-art-dealers-just-went-into-business-together monthly 0.5 2021-08-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1629418482725-2BJCA34DJSIMHAA776A3/IMG-0015.jpg Columns - Coffee and Psilocybin: Why Two Seemingly Very Different Art Dealers Just Went Into Business Together - Make it stand out Meredith Rosen and Mike Egan, founders of Egan and Rosen, on the steps of the gallery's home on 78th Street. Photo by Lola Kramer. Courtesy of Egan and Rosen, New York. http://www.thegray-market.com/columns/2021/8/12/why-real-business-innovation-is-scarce-even-after-the-art-markets-global-shutdown-and-other-insights monthly 0.5 2021-08-13 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1628643264908-DGTP7DMWRXHGOL3JN3HQ/1-Use+this+LACMA+Magritte.jpg Columns - Why Real Art Market Innovation Has Been Shamefully Scarce Even in the Face of the Pandemic (and Other Insights) - Make it stand out Installation view of "Magritte and Contemporary Art: The Treachery of Images," Los Angeles County Museum of Art, November 19, 2006–March 4, 2007. Photo © Museum Associates/LACMA http://www.thegray-market.com/columns/2021/8/5/how-frances-plan-to-give-teens-free-cash-to-spend-on-culture-exposes-the-art-worlds-deepest-anxieties monthly 0.5 2021-08-05 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1628205411560-NXGGGRAFL3X93ET3OGTC/macron+good.jpg Columns - How France's Plan to Give Teens Free Cash to Spend on Culture Exposes the Art World's Deepest Anxieties - Make it stand out French president Emmanuel Macron speaking in 2018. Photo by Jacques Pacquier. Courtesy of Flickr via Creative Commons license. http://www.thegray-market.com/columns/2021/7/29/how-one-dog-eat-dog-market-proves-that-the-art-industry-really-doesnt-have-to-be-that-way monthly 0.5 2021-07-29 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1627597008396-E3J1CBJ17JR8HJBETDGW/Screen+Shot+2021-07-28+at+11.11.28+AM.png Columns - How One Dog-Eat-Dog Market Proves That the Art Industry Really Doesn't Have to Be That Way - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1627596659401-J7QEEL3E5MOHDU5K6OT1/wegman+mosaic.jpeg Columns - How One Dog-Eat-Dog Market Proves That the Art Industry Really Doesn't Have to Be That Way - Make it stand out William Wegman, Stationary Figures (detail), 2018. Photo by the Metropolitan Transportation Authority. Courtesy of Wikimedia via Creative Commons license. http://www.thegray-market.com/columns/2021/7/22/return-to-form-why-us-business-trends-suggest-the-pandemic-changed-far-less-than-predicted-about-the-art-market monthly 0.5 2021-07-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1626967814582-MQQ6L0AG650GN0EJ7BBZ/Welcome+Back+to+office.jpg Columns - Return to Form: Why U.S. Business Trends Suggest the Pandemic Changed Far Less Than Predicted About the Art Market - Make it stand out The “new normal” in the U.S. increasingly feels pretty damn similar to the old normal. Photo by Ryan Lee of Lakeland Furniture UK. Courtesy of Flickr via Creative Commons License. http://www.thegray-market.com/columns/2021/7/15/hunter-or-prey-how-hunter-bidens-ethics-agreement-sets-a-dangerous-precedent-for-rising-artists monthly 0.5 2021-07-16 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1626224932586-7IYGFLK1DA7GP1RAJTKH/50250130131_f163efea06_k.jpg Columns - Hunter or Prey? How Hunter Biden's Ethics Agreement Sets a Dangerous Precedent for Rising Artists - Make it stand out Hunter Biden. Photo by Thomas Hawk. 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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less. http://www.thegray-market.com/columns/2018/1/9/art-basel-miami-beach-conversation-is-innovation-enough-for-midmarket-galleries monthly 0.5 2018-01-10 http://www.thegray-market.com/columns/2017/12/4/market-monday-zooming-out-zooming-in monthly 0.5 2017-12-05 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1512458664999-TYJOWXTY0W9IQS4HBF90/Williams+camera.jpg Columns - Market Monday: Zooming Out, Zooming In Christopher Williams, Cutaway model Nikon EM. Shutter, 2007. Image credit: Observer. http://www.thegray-market.com/columns/2017/11/27/market-monday-democracy-in-action monthly 0.5 2017-11-27 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1511814315285-QYV31TLIVO36Q02288MQ/tansey_forward_retreat.jpg Columns - Market Monday: Democracy in Action Mark Tansey, Forward Retreat, 1986. 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Image credit: The Metropolitan Museum of Art, Rogers Fund, 1989. http://www.thegray-market.com/columns/2017/10/2/market-monday-work-ethics monthly 0.5 2017-10-02 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1506983348928-8USA95DRF8YCEDDTP4AS/Burt+Quarry.jpg Columns - Market Monday: Work Ethics Edward Burtynsky, Iberia Quarries #8, Cochico Co., Pardais, Portugal, 2006. Image credit: Carl Guderian via Flickr. http://www.thegray-market.com/columns/2017/9/18/market-monday-the-documentary monthly 0.5 2017-09-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1505754424180-H3YRH2JSJWZ33IANDEUP/capa.jpg Columns - Market Monday: The Documentary Robert Capa, Refugees walking on the beach, in the French internment camp for Republican exiles, Le Barcarès, France, March 1939. Image credit: International Center for Photography / Magnum, via Wikimedia Commons. http://www.thegray-market.com/columns/2017/9/11/market-monday-the-hardest-way-to-make-an-easy-living monthly 0.5 2017-09-11 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1505142143304-AZCRPOBZ14IN8I6BMNOC/foulkes+lost+horizon.jpg Columns - Market Monday: The Hardest Way to Make an Easy Living Llyn Foulkes, Lost Horizon, 1991. Image credit: Andrea Rosen Gallery. http://www.thegray-market.com/columns/2017/9/4/market-monday-mixed-media monthly 0.5 2017-09-04 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1504547862113-2CYPPCRQ4JTSC6FS3ER4/Sze2.jpg Columns - Market Monday: Mixed Media Sarah Sze, A Certain Slant, detail, 2007. Image credit: The National Academy. http://www.thegray-market.com/columns/2017/8/28/market-monday-the-art-of-storytelling monthly 0.5 2017-08-28 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1503942342586-78VRK059CLO65LUBPLHJ/Ligon+Invisible.jpg Columns - Market Monday: The Art of Storytelling Glenn Ligon, Untitled ("I am an invisible man"), detail. Image credit: Artspace. http://www.thegray-market.com/columns/2017/8/21/market-monday-patron-saints-patron-sinners monthly 0.5 2017-08-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1503344144318-J1XUXIWXLCVV6AI789U1/Kelley+Switching+Marys.jpg Columns - Market Monday: Patron Saints, Patron Sinners Mike Kelley, "Switching Marys," 2004-2005. Image credit: The Red List. http://www.thegray-market.com/columns/2017/8/14/excerpt-from-the-great-reframing monthly 0.5 2017-08-14 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1502749861439-UJ4RO6AXEPY6CBPZNN3P/image-asset.jpeg Columns - Excerpt from 'The Great Reframing' Cover artwork: Joey Parlett. Cover design: Garrett Haas. http://www.thegray-market.com/columns/2017/8/8/market-monday-what-lies-beneath monthly 0.5 2017-08-08 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1502191171140-853SK31V5TI40ZJ3GKDV/RR_Booster.jpg Columns - Market Monday: What Lies Beneath Robert Rauschenberg, "Booster," 1967. Image credit: MoMA. http://www.thegray-market.com/columns/2017/7/31/market-monday-reading-between-the-lines monthly 0.5 2017-07-31 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1501516104926-TCW8C9DJIW0ZRGKK0XVN/LeWitt+WD.jpg Columns - Market Monday: Reading Between the Lines Sol LeWitt, "Six Geometric Figures (+Two) (Wall Drawings)," 1980-81. Image credit: Tate. http://www.thegray-market.com/columns/2017/7/24/market-monday-comp-killers monthly 0.5 2017-07-25 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1500964395354-76XNU4U3C2TRFOJTFMJD/image-asset.jpeg Columns - Market Monday: Comp Killers Robert Longo, "Untitled (Ferguson Police, August 13, 2014)," 2014. 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Image credit: Michael Groth for Hyperallergic. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1493656998011-UFN9L3E8Y0AALE1CQ066/1_Read_Hiscox.png Columns - Market Monday: Hypernormalization https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1493657118022-BUCR2TAXT8IOLFWIGJON/image-asset.jpeg Columns - Market Monday: Hypernormalization Nighttime exterior rendering of a Revolution Precrafted Properties module. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1493657206986-4TIO1GY2515OLPU6X4KY/5_CloverfieldMonster2.png Columns - Market Monday: Hypernormalization Still from Cloverfield featuring an enormous disaster creature demolishing New York City. http://www.thegray-market.com/columns/2017/4/24/market-monday-agree-to-disagree monthly 0.5 2017-04-24 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1493051097388-OY7D5PA75J12RWHUKUX3/image-asset.jpeg Columns - Market Monday: Agree to Disagree John Baldessari, "Space Between Glad Hands," 1986. 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Image credit: Fraenkel Gallery via Artsy. http://www.thegray-market.com/columns/2017/4/3/market-monday-get-familiar monthly 0.5 2017-04-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1491229332301-B7T4MI9N90QXRUY41YIO/Holzer+power.jpg Columns - Market Monday: Get Familiar Jenny Holzer, "Abuse of Power Comes as No Surprise," (from "Truisms"), 1996. Image credit: Famous. http://www.thegray-market.com/columns/2017/3/27/market-monday-trust-busting monthly 0.5 2017-03-27 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1490632151364-FHHAK98G6S35S6KV5VI1/image-asset.jpeg Columns - Market Monday: Trust Busting Jimmie Durham, "Still life with stone and car," 2004. Image credit: Biennale of Sydney. http://www.thegray-market.com/columns/2017/3/20/market-monday-theres-more-where-that-came-from monthly 0.5 2017-03-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1490028961101-JKZ9XHYEJIEK0J2EKN5N/Sturtevant.jpg Columns - Market Monday: There's More Where That Came From Sturtevant, "Elastic Tango," 2010. Image credit: Thomas Mueller, via Gavin Brown's Enterprise and Penccil. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1490029087348-B8ZFSG1O7F9GAV9C3I3Y/image-asset.png Columns - Market Monday: There's More Where That Came From http://www.thegray-market.com/columns/2017/3/12/market-monday-funny-business monthly 0.5 2017-03-13 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1489378058729-IU42FWS8E0H3L4ZHTKR0/image-asset.jpeg Columns - Market Monday: Funny Business Bruce High Quality Foundation, "Self Portrait (Sometimes That Just Happens) (detail)," 2014. Image credit: Exhibition A. http://www.thegray-market.com/columns/2017/3/6/market-monday-depth-of-field monthly 0.5 2017-03-06 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1488821740696-X8X3W4XTK4NL3N34PFS2/image-asset.jpeg Columns - Market Monday: Depth of Field Justine Kurland, "Untitled (Birds)," 2008. Image credit: Aperture Foundation. http://www.thegray-market.com/columns/2017/2/27/market-monday-the-long-kiss-goodnight monthly 0.5 2017-02-27 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1488217685726-PM13LH51MYWPP39LIATF/image-asset.jpeg Columns - Market Monday: The Long Kiss Goodnight Brian Calvin, "Mouthfeel," 2015. Image credit: Kayne Griffin Corcoran. http://www.thegray-market.com/columns/2017/2/20/market-monday-crowd-control monthly 0.5 2017-02-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1487611858416-RVK8EJO4NS8Q5NRDQWSV/image-asset.jpeg Columns - Market Monday: Crowd Control Marina Abramović, "Generator," 2014. Image credit: Marina Abramović Institute. http://www.thegray-market.com/columns/2017/2/13/market-monday-spread-eagle monthly 0.5 2017-02-13 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1487027193931-NSUGFJEBC0BGLHSM5MRL/image-asset.jpeg Columns - Market Monday: Spread Eagle Rembrandt, "The Abduction of Ganymede (detail)," 1635. Image credit: Wikimedia Commons. http://www.thegray-market.com/columns/2017/2/6/market-monday-paint-it-black monthly 0.5 2017-02-06 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1486399655671-N5Z90KOXIIY1529MQ5PI/image-asset.jpeg Columns - Market Monday: Paint It Black Kerry James Marshall, "Black Star 2," 2012. Image credit: Artsy. http://www.thegray-market.com/columns/2017/1/30/market-monday-on-the-media monthly 0.5 2017-01-30 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1485800747531-90ULNMM66M1ZBUVL1E7K/image-asset.jpeg Columns - Market Monday: On the Media Robert Heinecken, detail of "A Case Study in Finding an Appropriate TV Newswoman (Jane Pauley/Bryant Gumbel," 1984. Image credit: Vincent Borrelli. http://www.thegray-market.com/columns/2017/1/23/market-monday-back-to-the-future monthly 0.5 2017-01-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1485192046076-9096LP6IUOL4RH6QQLKQ/image-asset.jpeg Columns - Market Monday: Back to the Future Cai Guo-Qiang, "Inopportune: Stage One," (2004). Image credit: Hiro Ihara, courtesy Cai Studio. http://www.thegray-market.com/columns/2017/1/16/market-monday-figure-study monthly 0.5 2017-01-16 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1484590226912-KQLO1VFB9790N98E6XEP/image-asset.jpeg Columns - Market Monday: Figure Study Ryder Ripps, "Hourglass," 2014. Image credit: Postmasters. http://www.thegray-market.com/columns/2017/1/9/market-monday-private-parts monthly 0.5 2017-01-09 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1483985428859-O6B88OT5RNSZWT19HQLG/image-asset.jpeg Columns - Market Monday: Private Parts Ken Price, "Club Zebra," 1981. Image credit: Mana Contemporary. http://www.thegray-market.com/columns/2016/12/19/market-monday-crossing-over monthly 0.5 2016-12-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1482170536288-KCCVVDS8IE7TACGVJXP7/RLH+Articulated.jpg Columns - Market Monday: Crossing Over Rafael Lozano-Hemmer, "Articulated Intersect, Relational Architecture 18," 2012. Image credit: MAC Museum. http://www.thegray-market.com/columns/2016/12/12/market-monday-levels-of-the-game monthly 0.5 2016-12-12 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1481571452369-SK691FN55AC0Y09FEB84/image-asset.jpeg Columns - Market Monday: Levels of the Game David Altmejd, "The Flux and the Puddle" (detail), 2014. Image credit: designboom. http://www.thegray-market.com/columns/2016/12/6/market-monday-do-you-see-what-i-see monthly 0.5 2016-12-06 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1481024550409-PAP4UKO7R0AHO5XRZUNT/image-asset.jpeg Columns - Market Monday: Do You See What I See? Ryan Gander, "Dominae Illud Opus Populare," 2016. Image credit: The artist & Lisson Gallery, via GalleriesNow. http://www.thegray-market.com/columns/2016/11/21/market-monday-the-change-up monthly 0.5 2016-11-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1479751311625-CYM7DCY4RPBOIV5FCJCF/Screen+Shot+2016-11-20+at+11.06.20+AM.png Columns - Market Monday: The Change-Up Ulay, "S'he," 1973. Image credit: Nederlands Fotomuseum, via Artsy. http://www.thegray-market.com/columns/2016/11/14/the-eye-opener monthly 0.5 2016-11-14 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1479159863270-31341DGOVXA38RXFDZPB/image-asset.jpeg Columns - The Eye-Opener Philip Guston, "Untitled," 1971. Image credit: NY Arts. http://www.thegray-market.com/columns/2016/11/7/market-monday-tech-tac-toe monthly 0.5 2016-11-07 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1478535826592-KFGPHN7BMWJKO65LJXSB/image-asset.png Columns - Market Monday: Tech-Tac-Toe Rafäel Rozendaal, Still from "think now move later . com," 2012. Image credit: Rafäel Rozendaal. http://www.thegray-market.com/columns/2016/10/31/market-monday-grab-bag monthly 0.5 2016-10-31 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1477927807999-E0KZEQDZHEQLNSS47WE6/image-asset.jpeg Columns - Market Monday: Grab Bag Felix Gonzalez-Torres, "Untitled (Placebo)," 1991. Image credit: Astrup Fearnley Museet. http://www.thegray-market.com/columns/2016/10/24/market-monday-atrocity-exhibition monthly 0.5 2016-10-24 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1477337788878-8N5JGO9CXJCANHOHGES8/image-asset.jpeg Columns - Market Monday: Atrocity Exhibition Paul McCarthy, "Train, Mechanical," 2003-2009. Image credit: Télérama. http://www.thegray-market.com/columns/2016/10/22/true-lies monthly 0.5 2016-10-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1477245716835-BTX4BGM6IRMKW88HGYSE/image-asset.jpeg Columns - True Lies: What a Few Healthy Numbers Hide About Midmarket Mortification Darren Almond, "Meantime," 2000. Image credit: Matthew Marks. http://www.thegray-market.com/columns/2016/10/17/market-monday-cultural-tourism monthly 0.5 2016-10-17 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1476717459221-99NCNCJUFKJOA2RGD4XT/image-asset.jpeg Columns - Market Monday: Cultural Tourism Thomas Struth, "Audience 5 (Galleria Dell'Accademia, Florenz)," 2004. Image credit: The Broad. http://www.thegray-market.com/columns/2016/10/10/market-monday-overexposed monthly 0.5 2016-10-10 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1476113410892-56XVNO7RK6L98537IO7Q/image-asset.jpeg Columns - Market Monday: Overexposed Zoe Crosher, "The Disappeared Nurse no. 14," 2012. Image credit: Zoe Crosher. http://www.thegray-market.com/columns/2016/10/5/off-message monthly 0.5 2016-10-08 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1475857485836-N2NWWM2M68E1H71VQY1U/image-asset.jpeg Columns - Off Message: Reviewing the Words, Deeds + Relevance of Stefan Simchowitz Ed Ruscha, "Words Without Thoughts," 1986. Image credit: MCA Chicago. http://www.thegray-market.com/columns/2016/10/3/market-monday-not-as-it-seems monthly 0.5 2016-10-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1475514101899-7L5HNHH7V8DJDU3YUN7I/image-asset.jpeg Columns - Market Monday: Not As It Seems Tara Donovan, "Untitled (Styrofoam Cups)," 2008. Image credit: arch20. http://www.thegray-market.com/columns/2016/9/19/market-monday-misrepresented monthly 0.5 2016-09-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1474299660656-9V9PNVQARA2E1WO5JG12/image-asset.jpeg Columns - Market Monday: Misrepresented David Hammons, "How Ya Like Me Now?," 1988. Image credit: Broc Blegen. http://www.thegray-market.com/columns/2016/9/14/fair-game-whats-really-thinning-the-art-fair-herd monthly 0.5 2016-09-17 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1473970950921-OC3RCS0V7UN8TL6AFJRK/image-asset.jpeg Columns - Fair Game: What's Really Thinning the Art-Fair Herd? Berlinde de Bruyckere, "No Life Lost II, 2015," 2015. Image credit: ARTnews. http://www.thegray-market.com/columns/2016/9/15/panel-discussion-alert-the-current-future-state-of-the-art-fair monthly 0.5 2016-09-15 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1473962706950-YOAGDOK8YX59E43PVEOF/image-asset.jpeg Columns - Panel Discussion Alert: "The Current + Future State of the Art Fair" Ghost of a Dream, installation view of "When the Smoke Clears: The Fair Housing Project," 2016. Image credit: Smack Mellon and the artists. http://www.thegray-market.com/columns/2016/9/12/market-monday-the-shape-of-things-to-come monthly 0.5 2016-09-12 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1473698866416-94BS82GMMVQBF0ZN0IPW/image-asset.jpeg Columns - Market Monday: The Shape of Things to Come Jonathan Monaghan, "Agnus Dei (After Zurbarán)," 2015. 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Image credit: 1st Dibs. http://www.thegray-market.com/columns/2016/7/5/maximum-capture monthly 0.5 2016-07-08 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1467922491412-7FPI6XDJTKRGZPNGM3CU/image-asset.jpeg Columns - Maximum Capture: Curiator's Value in a Data-Starved Industry Ai Weiwei, "He Xie (River Crabs)," 2010. Image credit: Sartle. http://www.thegray-market.com/columns/2016/7/4/market-monday-explosions-in-the-sky monthly 0.5 2016-07-04 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1467652311789-HZJLK2GQTJEVZ8NVMXGH/image-asset.jpeg Columns - Market Monday: Explosions in the Sky Jack Goldstein, "Untitled," 1983. 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Image credit: Julian Stanczak. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1466706247888-NP4X3TA6LG6REKJONBMS/image-asset.png Columns - Optical Illusion: UBS + the Hidden Meaning of Bank Patronage http://www.thegray-market.com/columns/2016/6/13/market-monday-schools-out-for-summer monthly 0.5 2016-06-13 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1465841260541-YJGJ51A9B7NIFX0J3L4T/image-asset.jpeg Columns - Market Monday: School's Out for Summer http://www.thegray-market.com/columns/2016/6/8/lost-highway monthly 0.5 2016-06-09 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1465422675285-32AMXA4NYMBVIRW6J8FY/image-asset.jpeg Columns - Lost Highway: Patreon's Dubious Road to Contemporary Art Funding Ed Ruscha, examples from "Twentysix Gasoline Stations," 1963. Image credit: Maite Muñoz. http://www.thegray-market.com/columns/2016/6/6/market-monday-who-do-you-love monthly 0.5 2016-06-06 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1465225118436-OXYXA86TQY4HW80USXHO/image-asset.jpeg Columns - Market Monday: Who Do You Love? Eric Fischl, "Time for Bed," 1980. Image credit: Eric Fischl. http://www.thegray-market.com/columns/2016/5/31/jedi-mind-trick monthly 0.5 2016-06-03 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1464883178511-L1L8L6ZP23JB84SWHX2G/image-asset.jpeg Columns - Jedi Mind Trick: How Artists Sell to Their Own Punch Lines Eric Fischl, "False Gods," 2015. Image credit: Eric Fischl. http://www.thegray-market.com/columns/2016/5/30/market-monday-the-upper-hand monthly 0.5 2016-05-30 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1464637304341-47RFGCMH3RQQZWUI6SP8/image-asset.jpeg Columns - Market Monday: The Upper Hand Danh Vō, Installation view of "JULY, IV, MDCCLXXVI," 2011. Image credit: Contemporary Art Blog. http://www.thegray-market.com/columns/2016/5/25/wage-war monthly 0.5 2016-05-27 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1464363433239-J7I9RB1C8Y0HAWFRETZS/image-asset.jpeg Columns - WAGE War: Artists' Hard Battle for Nonprofit Compensation Nancy Spero, "Victims Thrown from the Helicopter," 1970. Image credit: Study Blue. http://www.thegray-market.com/columns/2016/5/23/market-monday-economy-class monthly 0.5 2016-05-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1464018835257-3CBIAL0HHYU8INZ2JK7K/image-asset.jpeg Columns - Market Monday: Economy Class Chris Burden, "The Flying Kayak," 1982. Image credit: Blouin ArtInfo. http://www.thegray-market.com/columns/2016/5/17/lands-end monthly 0.5 2016-05-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1463534582677-N81JMR06K4RKXSOQ92WS/image-asset.jpeg Columns - Land's End: Art + the New Philanthropy Ugo Rondinone, "Seven Magic Mountains," 2011-16. Image credit: Gessato. http://www.thegray-market.com/columns/2016/5/16/market-monday-dig-it monthly 0.5 2016-05-16 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1463417939835-GD8RX0ZY1YST6QAB6JP7/image-asset.jpeg Columns - Market Monday: Dig It Willem de Kooning, "Excavation," 1950. Image credit: The Art Institute of Chicago. http://www.thegray-market.com/columns/2016/5/10/a-toast-to-the-end-times monthly 0.5 2016-05-13 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1462933656748-YLUIJV1ZR7Y5L4E7QCS6/image-asset.jpeg Columns - A Toast to the End Times Jasper Johns, "Painted Bronze (Ballantine Ale)," 1960. Image credit: Artchive. http://www.thegray-market.com/columns/2016/5/9/market-monday-even-steven monthly 0.5 2016-05-09 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1462808448369-B3ZH8NI13XFZUGUVKRTR/image-asset.jpeg Columns - Market Monday: Even Steven Steve McQueen, "Deadpan," 1997. Image credit: Schaulager. http://www.thegray-market.com/columns/2016/5/4/the-agency-effect monthly 0.5 2016-05-05 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1462473999661-YZTFJ6F8U3M39JURFGYS/image-asset.jpeg Columns - The Agency Effect Stan Douglas, Still from "The Secret Agent," 2015. Image credit: Victoria Miro. http://www.thegray-market.com/columns/2016/5/1/market-monday-a-new-day monthly 0.5 2016-05-02 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1462161180503-M8XLVCRQ9BSGWPSUI9Q3/image-asset.jpeg Columns - Market Monday: A New Day Ed Ruscha, "That Was Then This Is Now," 2014. Image credit: Art Brokerage. http://www.thegray-market.com/columns/2016/4/29/bizarre-love-triangle monthly 0.5 2016-04-29 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1461946841028-LEKNZHBSAY9D44L0NNPE/image-asset.jpeg Columns - Bizarre Love Triangle(?): Urs Fischer at JTT Invitation image for Urs Fischer's "Ursula" at JTT. Image credit: JTT. http://www.thegray-market.com/columns/2016/4/25/market-monday-giant-steps monthly 0.5 2016-04-25 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1461596906325-FF724P9NU3C0QIKASFQI/image-asset.jpeg Columns - Market Monday: Giant Steps Andy Warhol, "Dance Diagram [3] [The Lindy Tuck-In Turn-Man]," 1962. Image credit: The Broad. http://www.thegray-market.com/columns/2016/4/20/damnation-in-the-details monthly 0.5 2016-04-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1461250743662-AQQ7KAFC31O7Z8DBY9MK/image-asset.jpeg Columns - Damnation in the Details Francis Bacon, "Figure with Meat," 1954. Image credit: The Art Institute of Chicago. http://www.thegray-market.com/columns/2016/4/18/market-monday-unusual-suspects monthly 0.5 2016-04-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1460992368944-00ZP76ZPK86XHQTNHXJA/image-asset.jpeg Columns - Market Monday: Unusual Suspects Weegee, ["Ruth Snyder Murder" wax display, Eden Musée, Coney Island, New York], ca. 1941. Image credit: International Center of Photography. http://www.thegray-market.com/columns/2016/4/14/high-tension monthly 0.5 2016-04-15 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1460652927097-BKFJHFEI5D2AKLBRVAR2/image-asset.png Columns - High Tension Liza Ryan, "I'm the same person I was a moment ago," 2004. Image credit: Liza Ryan. http://www.thegray-market.com/columns/2016/4/11/market-monday-secret-histories monthly 0.5 2016-04-11 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1460389300921-02O5IC4JEG5HLGDDHYQ8/image-asset.jpeg Columns - Market Monday: Secret Histories Andrew Tider and Jeff Greenspan, "The Prison Ship Martyrs Monument 2.0," 2015. Image credit: Andrew Tider. http://www.thegray-market.com/columns/2016/4/6/open-house monthly 0.5 2016-05-10 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1460060054045-BVW6WI5OH5U2DDX7B4ZP/image-asset.jpeg Columns - Open House John Divola, "Zuma #27," 1977-2006. Image credit: Gallery Luisotti. http://www.thegray-market.com/columns/2016/4/4/market-monday-s-is-for monthly 0.5 2016-04-04 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1459783112419-4WZY8GYRMHHEA73BG3QN/image-asset.jpeg Columns - Market Monday: "S" is for... Sean Scully, "Pale Fire," 1988. Image credit: The Modern. http://www.thegray-market.com/columns/2016/3/29/reversal-of-fortune monthly 0.5 2016-03-29 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1459278833899-IAU2J0QW0BIQS8Z1EB12/image-asset.png Columns - Reversal of Fortune Sarah Charlesworth, Images from the "Stills" series, 1980. Image credit: The Huffington Post. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1459277092718-VG0QVSDZP8JMUVUEARAC/image-asset.png Columns - Reversal of Fortune https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1459275618504-G8Q14GUVYHCUB4EBM6LY/image-asset.png Columns - Reversal of Fortune https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1459274833785-19XYD1A39726GVCZAR2C/image-asset.png Columns - Reversal of Fortune http://www.thegray-market.com/columns/2016/3/28/market-monday-blurred-lines monthly 0.5 2016-03-28 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1459178718487-A674TDBOSDFKKCUUZ2ES/image-asset.jpeg Columns - Market Monday: Blurred Lines Tomoo Gokita, "Alice in Blunderland" (detail), 2014. Image credit: WideWalls. http://www.thegray-market.com/columns/2016/3/23/bay-watch monthly 0.5 2016-03-24 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1458832446043-BTH25VCXQO1TFJP6YKDL/image-asset.jpeg Columns - Bay Watch Tadanori Yokoo, "Moat," 1966. Image credit: CityPages. http://www.thegray-market.com/columns/2016/3/21/market-monday-fair-weather monthly 0.5 2016-03-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1458574698954-NWDWZYHJMB5BLZHAQPCY/image-asset.gif Columns - Market Monday: Fair Weather Matthew F. Fisher, "The Flatlands," 2012. Image credit: Matthew F. Fisher. http://www.thegray-market.com/columns/2016/3/16/double-trouble monthly 0.5 2016-03-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1458227118724-XJ0BHZMR723RXZ7OSZPX/image-asset.jpeg Columns - Double Trouble Rashid Rana, "When he said I do, he did not say what he did," 2004. Image credit: Initial Access. http://www.thegray-market.com/columns/2016/3/14/market-monday monthly 0.5 2016-03-14 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1457971264124-ULDP2RKT0SW2X14JXRAD/image-asset.jpeg Columns - Market Monday: Two Hands for Safety John Baldessari, "Hands and/or Feet (Part Two): Pitchfork/Person," 2009. Image credit: Sprüth Magers. http://www.thegray-market.com/columns/2016/3/9/regress-report monthly 0.5 2016-03-10 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1457588648863-AKN7C5QMNRGOXKWTY4G6/image-asset.png Columns - Regress Report http://www.thegray-market.com/columns/2016/3/6/market-monday-black-math monthly 0.5 2016-03-07 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1457294255121-70SRKM9KFK1V5RCID9RG/image-asset.jpeg Columns - Market Monday: Black Math Ad Reinhardt, "Abstract Painting," 1962. Image credit: Art Agenda. http://www.thegray-market.com/columns/2016/3/3/spin-cycle monthly 0.5 2016-03-04 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1457077733632-QFJI2HV3GW2YB5U93GE1/image-asset.png Columns - Spin Cycle Kenneth Noland, "Jazz," 1997-8. Image credit: Moffett's Artletter. http://www.thegray-market.com/columns/2016/2/29/market-monday-motion-studies monthly 0.5 2016-02-29 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1456762706131-KCCJS6GLUJ4I9L65CX1R/image-asset.jpeg Columns - Market Monday: Motion Studies Eadweard Muybridge, "Locomotion: Man Running," 1887. Image credit: Fine Art America. http://www.thegray-market.com/columns/2016/2/24/chaos-theory monthly 0.5 2016-02-25 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1456374731897-JE8YXUIMLGOYRWMY7PBF/image-asset.jpeg Columns - Chaos Theory Mark Lombardi, "Oliver North, Lake Resources of Panama, and the Iran-Contra Operation, ca. 1984-86 (fourth version)," 1999. Image credit: BOMB. http://www.thegray-market.com/columns/2016/2/22/market-monday-flashbacks-and-flashforwards monthly 0.5 2016-02-22 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1456156609026-3M1S318UXZQSVP4ECMFH/image-asset.jpeg Columns - Market Monday: Flashbacks and Flashforwards James Rosenquist, "Time Stops the Face Continues," 2008. Image credit: Acquavella Galleries. http://www.thegray-market.com/columns/2016/2/19/a-perfect-world monthly 0.5 2016-02-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1455901046247-SXD189O2VXB36CWK2AWZ/image-asset.jpeg Columns - A Perfect World Pieter Brueghel the Elder, "Dull Gret," 1562. Image credit: Wikipedia. http://www.thegray-market.com/columns/2016/2/15/market-monday-welcome-to-heartbreak monthly 0.5 2016-02-15 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1455551830494-18O0A9Q54P5OXX256M22/image-asset.jpeg Columns - Market Monday: Welcome to Heartbreak Raymond Pettibon, "Untitled (What would you have me say, ladies?)," 2002. Edition of 100. Image credit: Brooke Alexander Gallery. http://www.thegray-market.com/columns/2016/2/10/not-a-businessman-but-a-business-man monthly 0.5 2016-02-12 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1455178458399-RSQJ6DKEW017NCWC9KBN/image-asset.jpeg Columns - Not a Businessman, But a Business, Man David Smith at his studio. Image credit: Phaidon. http://www.thegray-market.com/columns/2016/2/1/market-monday-tall-tales monthly 0.5 2016-02-01 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1454342261945-3YG5VTMRO3GJWWPM2NAF/image-asset.jpeg Columns - Market Monday: Tall Tales Jim Shaw, "Labyrinth: I Dreamt I Was Taller Than Jonathan Borofsky" (detail), 2009. Image credit: Art Observed. http://www.thegray-market.com/columns/2016/1/24/market-monday-transformers monthly 0.5 2016-01-25 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1453683997423-LIHAKSL7VK3HUGFJECTQ/image-asset.jpeg Columns - Market Monday: Transformers Takashi Murakami, "Second Mission ko2, Advanced (Jet Airplane Type)" (1999-1007). Image credit: Pinterest. http://www.thegray-market.com/columns/2016/1/21/repetition-is-strength monthly 0.5 2016-01-22 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1453443382556-2YNORIWIQR9NA5T26QXX/image-asset.jpeg Columns - Repetition Is Strength Elmgreen & Dragset, "The Well Fair," installation view, 2016. Image credit: The Art Newspaper. http://www.thegray-market.com/columns/2016/1/18/market-monday-scattershot monthly 0.5 2016-01-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1453136181136-MLKVDXSMUAR0TBUC4MXM/image-asset.png Columns - Market Monday: Scattershot Jasper Johns, "Target with Four Faces" (1968). Edition of 100. Image credit: The Curated Object. http://www.thegray-market.com/columns/2016/1/14/conceptual-pricing-conceptual-profit monthly 0.5 2016-01-14 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1452787025322-GMJDOSCYH4H7D0O2THKP/image-asset.jpeg Columns - Conceptual Pricing, Conceptual Profit Ana Prvački, Installation view of "Stealing Shadows," 2016. Image credit: The Art Newspaper. http://www.thegray-market.com/columns/2016/1/10/market-monday-show-me-love monthly 0.5 2016-01-11 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1452474624771-571X0Z6H12PLYW0NTBY7/image-asset.jpeg Columns - Market Monday: Show Me Love Jeff Koons, "Hanging Heart (Red/Gold)," 1994-2006. Image credit: The Guardian. http://www.thegray-market.com/columns/2016/1/7/the-shadow-knows monthly 0.5 2016-01-08 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1452226024864-3MQDMD7AQVSY4EV9DCWP/image-asset.jpeg Columns - The Shadow Knows Matthew Barney, Still from River of Fundament: Act I (2014). Image credit: SFAQ. http://www.thegray-market.com/columns/2016/1/4/market-monday-onward-and-upward monthly 0.5 2016-01-04 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1451938713710-SISFKZ4CVNJUG8W3CTJZ/image-asset.jpeg Columns - Market Monday: Onward and Upward Matthew Barney, "Still from Drawing Restraint 10" (2005). Image credit: Daily Serving. http://www.thegray-market.com/columns/2015/12/21/market-monday-stocking-stuffer-edition monthly 0.5 2015-12-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1450710827582-6QDMCFS83Y49HLAGR3E2/image-asset.jpeg Columns - Market Monday: Stocking Stuffer Edition Robert Gober, "Untitled" (2009). Image credit: Art Tattler. http://www.thegray-market.com/columns/2015/12/14/market-monday-question-everything monthly 0.5 2015-12-14 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1450108385725-GYWE15402GMJKU3QQIZ3/image-asset.png Columns - Market Monday: Question Everything Roy Lichtenstein, "Image Duplicator" (1963). Image credit: Moderna Museet Webshop. http://www.thegray-market.com/columns/2015/12/10/magic-carpet-ride monthly 0.5 2015-12-10 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1449763753136-795HVP9QP1OI3GEFQOZL/image-asset.jpeg Columns - Magic Carpet Ride Mike Kelley, "Riddle of the Sphinx" (1991). Image credit: The Guggenheim Collection. http://www.thegray-market.com/columns/2015/12/7/market-monday-miami-vice monthly 0.5 2015-12-07 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1449505818527-IB3UVID53YR5AM2Z4LGI/image-asset.jpeg Columns - Market Monday: Miami Vice Villa Design Group, "Meat Lockers I-V," 2015. Mathew Gallery booth at Art Basel Miami Beach. Image credit: Hyperallergic. http://www.thegray-market.com/columns/2015/12/1/divided-we-fall monthly 0.5 2015-12-02 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1449074977300-13TP9SCPYAYAPTNWORSS/image-asset.jpeg Columns - Divided We Fall Fred Hammersley, "Noon" (1972). Image credit: New Mexico Capitol Art Foundation. http://www.thegray-market.com/columns/2015/11/22/market-monday-institutionalized monthly 0.5 2015-11-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1448241125214-0C01C8BNW53Z4ENSDVO5/image-asset.jpeg Columns - Market Monday: Institutionalized Francesca Woodman, "Untitled, Providence, Rhode Island (Self-portrait on the Telephone)" (1975-76). Image credit: CLVT Nation. http://www.thegray-market.com/columns/2015/11/19/rear-window monthly 0.5 2018-02-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1447954923003-KVKYPUWAAG79VK4LQ5GU/image-asset.jpeg Columns - Rear Window Peggy Guggenheim. Image credit: artnet News. http://www.thegray-market.com/columns/2015/11/15/market-monday-skyfall monthly 0.5 2015-11-16 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1447636101060-B6MJRM81NZYHMN8T1VIT/Goode+cloud.jpg Columns - Market Monday: Skyfall Joe Goode, "Torn Cloud Painting 73" (1972). Image credit: The J. Paul Getty Museum. http://www.thegray-market.com/columns/2015/11/10/marathon-man monthly 0.5 2015-11-11 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1447261361533-UUM6SNJCYAIJ33VKJ291/image-asset.png Columns - Marathon Man Screen cap from LaBeouf, Rönkkö, and Turner's "#ALLMYMOVIES" http://www.thegray-market.com/columns/2015/11/9/market-monday-hammer-time monthly 0.5 2015-11-09 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1447086804827-Z3HOJ4RF0MHLL0NMGPWF/Dine-With_Aldo_Behind_Me_hi.jpg Columns - Market Monday: Hammer Time Jim Dine, "With Aldo Behind Me," 2008. Edition of 15. Image credit: Artslant. http://www.thegray-market.com/columns/2015/11/3/free-love-dark-side monthly 0.5 2015-11-05 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1446743887642-1L7AR504F9HGIWCVAMM8/image-asset.jpeg Columns - Free Love + the Dark Side Cady Noland, "Surrounded!" (1993-94). Image credit: Art Investment. http://www.thegray-market.com/columns/2015/10/22/no-release monthly 0.5 2015-10-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1445570934305-W0HDKME26TKJZGOP1LLF/image-asset.jpeg Columns - No Release Peter Halley, "Prison and Cell with Smokestack and Conduit" (1985). Image credit: Mary Boone. http://www.thegray-market.com/columns/2015/10/13/word-on-a-wing monthly 0.5 2015-10-15 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1444846470749-A1EJEGI6G3T4W8JKPRBM/image-asset.jpeg Columns - Word on a Wing Kiki Smith, "Getting the Bird Out" (1992). Image Credit: Walker Art Center. http://www.thegray-market.com/columns/2015/10/8/real-talk monthly 0.5 2015-11-11 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1447269963057-UYB8YGZ5OMPHUV8WKU5T/image-asset.jpeg Columns - Bulls on Parade Pablo Picasso, "Bull (study)," 1946. Image credit: WikiArt. http://www.thegray-market.com/columns/2015/9/30/freedom-aint-free monthly 0.5 2015-10-01 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1443658330926-P8JZLQG1VC7Q96SLOONP/image-asset.jpeg Columns - Freedom Ain't Free Walter De Maria, "The Lightning Field" (1977). Image credit: The Guardian. http://www.thegray-market.com/columns/2015/9/23/timecop monthly 0.5 2015-09-24 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1443036329699-AA0NLFV4K87P3W0E2JNJ/image-asset.jpeg Columns - Time Cop Chris Burden, "L.A.P.D. Uniforms" (1993). Installation view. 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Image credit: Art Tattler. http://www.thegray-market.com/columns/2015/8/12/perverse-percentages monthly 0.5 2015-08-13 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1439443988595-GLY4NJU1SKM8D3O0PHA9/image-asset.jpeg Columns - Perverse Percentages Magnus Resch with the German edition of his book Management of Art Galleries. Image credit: Observer. http://www.thegray-market.com/columns/2015/8/4/grams-of-fortune monthly 0.5 2015-08-05 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1438788070208-QC2Y0UL2PVFB60NWXB89/image-asset.jpeg Columns - Grams of Fortune Lisa Anne Auerbach, Know Your Future, North Hollywood, CA (Small Business Series) (2003). Image credit: Installation. http://www.thegray-market.com/columns/stop-making-sense monthly 0.5 2015-07-30 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1438272861102-EXI7HH5GRVVKG2ZWVPW8/image-asset.jpeg Columns - Stop Making Sense Matthew Brady, Dead Confederate Soldiers (1862). Image credit: CORBIS via History.com. http://www.thegray-market.com/columns/2015/6/18/father-knows-best monthly 0.5 2015-07-23 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1437620149255-TJQYOBO1LCKXQLN55FM1/image-asset.jpeg Columns - Father Knows Best Richard Prince, Tender Nurse (2002). Image credit: Mark Borghi Fine Art. http://www.thegray-market.com/columns/2015/7/7/double-standard monthly 0.5 2015-08-06 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1436337937098-UWBPONF51AVNLMQ7NQ27/image-asset.jpeg Columns - Double Standard Dennis Hopper, Double Standard (1961). Image credit: MOCA Los Angeles. http://www.thegray-market.com/columns/2015/6/18/points-of-entry monthly 0.5 2015-06-24 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1435072226968-MKSJ0N2RO34SAIJU37Q8/image-asset.jpeg Columns - Points of Entry, or Grounds for Departure? Ed Ruscha, Artists Who Make "Pieces" (1976). Image credit: The National Gallery. http://www.thegray-market.com/columns/the-new-adventure monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210452362-1M9SOHI2RPIFD5FJXP6I/image-asset.jpeg Columns - The New Adventure Andy Warhol, “One Dollar Bill (Silver Certificate)” (1962). Image credit: artnet. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210452248-0WJ8Q8I2JL9O22I9I3QK/image-asset.jpeg Columns - The New Adventure Ed Ruscha, “Brave Men of La Jolla” (1995). 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Image credit: Purdue University. http://www.thegray-market.com/columns/time-to-die monthly 0.5 2015-06-17 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210452369-DHYYQDHUDWXY4SBEULXJ/image-asset.jpeg Columns - Time to Die Klaus Biesenbach selfie. Image credit: Instagram / @klausbiesenbach http://www.thegray-market.com/columns/apple-the-art-market monthly 0.5 2015-06-19 http://www.thegray-market.com/columns/compare-contrast monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210452495-A2AFPS6BYRW2V3RVC3DG/image-asset.jpeg Columns - Compare + Contrast Jeff Koons with “Antiquity 3” (2011). Image credit: Zimbio. http://www.thegray-market.com/columns/the-philanthropy-bubble monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210452523-276K3WGX0FZ4KMEQMFD4/image-asset.jpeg Columns - The Philanthropy Bubble Helen Pashgian, “Untitled” (1968). Image credit: MCA San Diego. http://www.thegray-market.com/columns/fake-it-or-make-it monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210452460-H0O09TDPJIQ56WX3TE12/image-asset.jpeg Columns - Fake It or Make It Scott Reeder, “Real Fake” (2013). Image credit: Art Basel. http://www.thegray-market.com/columns/northern-heist monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210452520-RU9UBPQCGHHO4BQC1PYL/image-asset.jpeg Columns - Northern Heist David Lynch, “Snowman 08” (1993). Image credit: Kayne Griffin Corcoran. http://www.thegray-market.com/columns/introducing-the-gray-market-email-newsletter monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434569650194-KJ136M7YFE0NAKXTFMW6/image-asset.jpeg Columns - Introducing the Gray Market Email Newsletter Joseph Beuys, “Felt Postcard” (2000). Unlimited edition. Image credit: IMRC. http://www.thegray-market.com/columns/larrys-list-collector-data-as-industry-mood-ring monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210452859-ZB5KOP4ZA49QXV192D12/image-asset.jpeg Columns - Larry's List: Collector Data as Industry Mood Ring James Turrell, “Akhob” (2013). Image credit: Florian Holzherr via W Magazine. http://www.thegray-market.com/columns/the-seeds-of-value monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210452979-J0AIWGFHCYHPE98JOVJN/image-asset.jpeg Columns - The Seeds of Value Michelangelo Merisi da Caravaggio, “Boy Peeling Fruit” (ca. 1591). Image credit: Wiki. http://www.thegray-market.com/columns/numbers-game monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210453537-V0U7MQTVCRKEZJUJTCF7/image-asset.jpeg Columns - Numbers Game Gustav Klimt, “Adele Bloch-Bauer I” (1907). 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Image credit: The Whitney. http://www.thegray-market.com/columns/average-is-over-xi-a-i-m-for-the-soft-spot monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210455671-T6QXBZFLQU45Z75IBUMX/image-asset.jpeg Columns - Average Is Over XI: A.I.M. for the Soft Spot John Baldessari, "Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog)“ (1985/1989). Image credit: East of Borneo. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210455767-Z0OT5O2RSMV13S43UHYA/image-asset.jpeg Columns - Average Is Over XI: A.I.M. for the Soft Spot John Baldessari, “Money (with Space Between)” (1994). Image credit: Printed Editions. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210455526-KWHFEXGCPTH7EQUEDSDQ/image-asset.jpeg Columns - Average Is Over XI: A.I.M. for the Soft Spot John Baldessari, “Kiss/Panic” (1984). 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Image credit: art21. http://www.thegray-market.com/columns/wag-the-dog monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210459894-GBE38U68V7LMFHTOBRH8/image-asset.jpeg Columns - Wag the Dog Danh Vo, “WE THE PEOPLE (detail)” (2011). Image credit: e-flux. http://www.thegray-market.com/columns/a-history-of-low-poly-artwork monthly 0.5 2015-06-17 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210460178-OO91V2UH3JTVXM0SG1WI/image-asset.png Columns - A History of Low-Poly Artwork Early render of “That Dragon, Cancer.” Image credit: Ryan Green. http://www.thegray-market.com/columns/average-is-over-ix-consolidation-nation monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210460781-KIHCW4M5LCAAXRH62MT6/image-asset.jpeg Columns - Average Is Over IX: Consolidation Nation Jasper Johns, “White Flag” (1955). Image credit: Fun Mozar. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210460472-1BEZHY2M57B6Z5ZNYVVW/image-asset.jpeg Columns - Average Is Over IX: Consolidation Nation Jasper Johns, “Map” (1961). Image credit: Where the Giraffe Lives. http://www.thegray-market.com/columns/average-is-over-viii-full-stacks-on-deck monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210460978-E9KFIM66WZCNGQ0TB10M/image-asset.jpeg Columns - Average Is Over VIII: Full Stacks On Deck Donald Judd, Installation view, Mnuchin Gallery, 2013. Image credit: Tom Powel Imaging, Inc. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210461246-5KNKVT2EYDSBN6TKP1O2/image-asset.jpeg Columns - Average Is Over VIII: Full Stacks On Deck Donald Judd, Installation view, Mnuchin Gallery, 2013. Image credit: Tom Powel Imaging, Inc. http://www.thegray-market.com/columns/a-lesson-from-leo monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210461289-HPFZOGBGJ64D9VTZ5MDN/image-asset.jpeg Columns - A Lesson from Leo Paul Cézanne, “Chateau Noir” (1904). Image credit: Mchobe’s Blog. http://www.thegray-market.com/columns/vise-lords-are-the-three-ss-crushing-non-elite monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210462175-YQR1TF3I08DRB9VLCE8Z/image-asset.jpeg Columns - Vise Lords: Are the Three S's Crushing Non-Elite Gallerists? Piero Golia, “Untitled (Bus)” (2008). Image credit: Joshua White & The Hammer. http://www.thegray-market.com/columns/the-artist-as-entrepreneur monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210462105-66XGQKVPECJ34EV1NXS0/image-asset.jpeg Columns - The Artist as Entrepreneur Andy Warhol. Image credit: Global Grind. http://www.thegray-market.com/columns/the-loan-shark-of-lake-saint-clair monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210462218-97ZGXSLN5ATP0AJ39YMM/image-asset.jpeg Columns - The Loan Shark of Lake Saint Clair Damien Hirst, “The Physical Impossibility of Death in the Mind of Someone Living” (1991). Image credit: Art Siegel. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210462682-RNT3HY0MQK0NL5O1DZP0/image-asset.png Columns - The Loan Shark of Lake Saint Clair http://www.thegray-market.com/columns/the-storytelling-challenge-of-process-based-art monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210463189-O28P38H1HFCMWXFG07UU/image-asset.jpeg Columns - The Storytelling Challenge of Process-Based Art Emily Mast, still from "ENDE (LIKE A NEW BEGINNING)” (2014). Image credit: The Hammer. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210462965-HUERLX4GPPQSZGS7X6UB/image-asset.jpeg Columns - The Storytelling Challenge of Process-Based Art Emily Mast, still from “ENDE (LIKE A NEW BEGINNING)” (2014). Image credit: Emily Mast. http://www.thegray-market.com/columns/a-postscript-to-the-barbarians monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210463571-292OIGBAAUV365SORVNE/image-asset.jpeg Columns - A Postscript to the "Barbarians" Leon Golub, “Gigantomachy III” (1966). Image credit: Diane Thodos. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210463961-WXV3LAN0G1QDTBEGNHV0/image-asset.png Columns - A Postscript to the "Barbarians" http://www.thegray-market.com/columns/whats-inside-the-nyts-data-black-box monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210464140-DBJIID1TCRHH6C5SHVYL/image-asset.jpeg Columns - What's Inside the NYT's Data Black Box? Lee Bontecou, “Untitled” (1961). Image credit: BLCKSMTH Design. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210464397-A8A220J9RKNOZUJ98BI1/image-asset.jpeg Columns - What's Inside the NYT's Data Black Box? Lee Bontecou, “Untitled” (1960). Image credit: Midwest Ms. http://www.thegray-market.com/columns/are-we-there-yet-the-road-to-the-v-r-museum-tour monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210465191-LZNTQB6FD1HDUF8G28FQ/image-asset.jpeg Columns - Are We There Yet? The Road to the V.R. Museum Tour Still from “A Clockwork Orange” (1971). Image credit: 201 Movies. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210464888-RM6W3LLNGCA4NNAIBB5Y/image-asset.jpeg Columns - Are We There Yet? The Road to the V.R. Museum Tour The Oculus Rift and Sony’s Project Morpheus. Image credit: CVG. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210464968-L4MHYAXGLFYOE1TO38FP/image-asset.jpeg Columns - Are We There Yet? The Road to the V.R. Museum Tour Still from “Super Mario 64” (1996). Image credit: Fanpop. http://www.thegray-market.com/columns/an-inconvenient-truth monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210465891-K9FFIBMK05KM4F4I7MLH/image-asset.jpeg Columns - An Inconvenient Truth Pierre-Auguste Renoir, detail from “Dance at Bougival” (1883). Image credit: Tatiana Alensky. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210465582-LA8LLICTZHJBA45KSSMZ/image-asset.jpeg Columns - An Inconvenient Truth William Holman Hunt, detail from “Isabella and the Pot of Basil” (1867). Image credit: Valancy’s Corner. http://www.thegray-market.com/columns/bringing-it-all-together monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210466192-Q8O1JMFJVTHL6RWAI9ZO/image-asset.jpeg Columns - Bringing It All Together Mike Kelley, “Memory Ware Flat #35” (2003). Image credit: Skarstedt Gallery. http://www.thegray-market.com/columns/the-month-of-least-resistance monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210466483-GVDPMPOV1Z8V4LUHH67H/image-asset.jpeg Columns - The Month of Least Resistance On Kawara, “Aug. 3, 2005” (2005). Image credit: Contemporary Art Daily. http://www.thegray-market.com/columns/rock-of-ages-the-enduring-power-of-relationships monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210466986-80P1V8YWAJ54V9FJ9WJT/image-asset.jpeg Columns - Rock of Ages: The Enduring Power of Relationships in the Art Market Michael Heizer, “Levitated Mass” (2011). Image credit: If It’s Hip It’s Here. http://www.thegray-market.com/columns/art-journalisms-future-is-sports-journalisms monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210467295-HL9CFUUROOP0OY22BD5L/image-asset.jpeg Columns - Art Journalism's Future Is Sports Journalism's Present Douglas Gordon, Still from “Zidane: A 21st Century Portrait” (2006). Image credit: Fierce. http://www.thegray-market.com/columns/view-from-the-summit-the-meaning-of-top monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210467387-RLCITBCJ7A6HO4997VNP/image-asset.jpeg Columns - Rocky Mountain High: The Meaning of "Top Collectors" Llyn Foulkes, “Eagle Rock” (1977). Image credit: Artistonia. http://www.thegray-market.com/columns/taking-the-temperature-of-cultural-incubators monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210467784-QJ836KU72JKFWJNTWZK3/image-asset.jpeg Columns - Taking the Temperature of "Cultural Incubators" Claes Oldenburg, “Mistos (Matches)” (1992). Image credit: Photo Barcelona. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210467984-WFC0X08U5CJ23J55OYKX/image-asset.jpeg Columns - Taking the Temperature of "Cultural Incubators" Ivan Navarro, “Homeless Lamp, the Juice Sucker” (2004). Image credit: Eat Me Daily. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210468175-GWR984R11GCSN5RUK7PS/image-asset.jpeg Columns - Taking the Temperature of "Cultural Incubators" John Baldessari, "Noses & Ears, Etc. (Part Three): Head (Section) with Nose & Ear” (2007). Image credit: Joshua Abelow. http://www.thegray-market.com/columns/soth-ebays-what-the-partnership-does-doesnt monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210468489-0QBV4CJNZ7GEQABEBIXB/image-asset.jpeg Columns - Soth-eBay's: What the Partnership Does (+ Doesn't) Mean for Online Art Sales Image credit: Puesta en Valor. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210468962-57QKNEA9DX746MWFKL9E/image-asset.jpeg Columns - Soth-eBay's: What the Partnership Does (+ Doesn't) Mean for Online Art Sales Liza Ryan, “Round Falcon” (2013). Image credit: Kayne Griffin Corcoran. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210469190-5FZ2B1KHFMDW4YZZWYJC/image-asset.jpeg Columns - Soth-eBay's: What the Partnership Does (+ Doesn't) Mean for Online Art Sales Doug Wheeler, LC 71 DZ 13 DW (2013). Image credit: Art Observed. http://www.thegray-market.com/columns/average-is-over-vii-snacking-on-the-middleman monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210470361-0Z8A7L7Z1JRPT2URM5IH/image-asset.jpeg Columns - Average Is Over VII: Snacking on the Middleman Marilyn Minter, “Pop Rocks” (2009). Image credit: Eat Me Daily. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210469988-N4DGWRWML2E77SK5NLYO/image-asset.jpeg Columns - Average Is Over VII: Snacking on the Middleman Eric Fischl, “Swimming Lovers” (1984). Image credit: Pinterest. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210469366-WF0QEIRHPE9RRWPC3L7Z/image-asset.jpeg Columns - Average Is Over VII: Snacking on the Middleman Fred Tomaselli, “Penetrators (Large)” (2012). Image credit: James Cohan Gallery. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210470326-94WMNZHB8V5GOJIJIKWO/image-asset.jpeg Columns - Average Is Over VII: Snacking on the Middleman Roy Lichtenstein, “Ohhh…Alright…” (1964). Image credit: Fiktura. http://www.thegray-market.com/columns/average-is-over-vi-the-high-ground-remains monthly 0.5 2015-06-19 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210470910-TYUZ2EPB5DFO4Z53OU1Q/image-asset.jpeg Columns - Average Is Over VI: The High Ground Remains Christian Marclay, Still from "The Clock” (2010). Image credit: Popcorn Business. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210470765-NZUU8FV3DOVFF9POTFYW/image-asset.jpeg Columns - Average Is Over VI: The High Ground Remains Peter Doig, “Bomb Island” (1991). Image credit: Poul Webb. http://www.thegray-market.com/columns/viva-las-christies monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210471137-D9Z6JYZN7TYZ34XRVSCX/image-asset.jpeg Columns - Viva Las Christie's Nancy Rubins, “Big Edge” (2009). Permanent installation at MGM CityCenter, Las Vegas. Image credit: Panoramio. http://www.thegray-market.com/columns/dan-colens-moment-of-market-clarity monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210471481-1BSDHA2IHR85ASRM3LUZ/image-asset.jpeg Columns - Dan Colen's Moment of Market Clarity Dan Colen, “Untitled”, 2010. Chewing gum on canvas. Image credit: Creativity Fuse. http://www.thegray-market.com/columns/average-is-over-v-the-red-pill monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210471745-4N75WJUTYO1M008G0XKZ/image-asset.jpeg Columns - Average Is Over V: The Red Pill Craig Kauffman, “Mansanas” (2007). Image credit: Chris Rywalt. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210472210-EK8ZO9P28GQGI7OICRAT/image-asset.jpeg Columns - Average Is Over V: The Red Pill Damien Hirst, “6 Pills” (2004). Image credit: Pharmer.org. http://www.thegray-market.com/columns/speed-kills-museums-discretionary-art monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434581636441-23JC5FSY5PIR129LPOE2/image-asset.jpeg Columns - Speed Kills: Museums & Discretionary Art Acquisitions Andy Warhol, “Five Deaths” (1963). 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Image credit: Wide Walls. http://www.thegray-market.com/columns/this-vase-is-a-mirror monthly 0.5 2015-06-20 http://www.thegray-market.com/columns/theres-deep-and-then-theres-deep monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210473598-XMGR5TT8JUFQUWFRNFD2/image-asset.jpeg Columns - There's Deep... And Then There's Deep Alex Israel, “Sky Backdrop” (2012). Image credit: Nan Dill via Pinterest. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210473722-ZL3DCRH7YWO4956KDWOD/image-asset.jpeg Columns - There's Deep... And Then There's Deep Alexander Calder, “Poisson Volant” (1957). Image credit: Bloomberg via Christie's. http://www.thegray-market.com/columns/average-is-over-iii-size-matters-until-it monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210474275-JGKKORMDK2X1LY4FYSU1/image-asset.jpeg Columns - "Average Is Over" III: Size Matters (Until It Doesn't) Ron Mueck, "Boy” (2004). Image credit: Gatsten. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210473976-UGO6EFHFFP6S6DJNI8Y4/image-asset.jpeg Columns - "Average Is Over" III: Size Matters (Until It Doesn't) Robert Therrien, “No title (folding table and four chairs)” (2007). Image credit: Art and Psychedelix. http://www.thegray-market.com/columns/average-is-over-the-future-of-art-sales-ii monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210474569-NOGP5HUDMW5RIFA5W536/image-asset.jpeg Columns - "Average Is Over" + the Future of Art Sales II: The Endangered Species Andy Warhol, “Endangered Species (F.&S. II, 293-302)” (1983). Image credit: Labeauratoire. http://www.thegray-market.com/columns/an-introduction-to-average-is-over-the-future monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210474973-296KQCBO55CKS88ZTT3O/image-asset.jpeg Columns - An Introduction to "Average Is Over" + The Future of Art Sales James Rosenquist, “Geometry of Fire” (2011). Image credit: Pictify. http://www.thegray-market.com/columns/light-invisible-the-dark-path-forward-for monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210475255-6VHSXCC9SJLR4AEHBMZA/image-asset.jpeg Columns - "Light Invisible" & the Dark Path Forward for Young Artists Helen Pashgian, “Light Invisible” (2014). Image credit: Bustler. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210475569-JK1XY33SW93H8IL2E9GA/image-asset.jpeg Columns - "Light Invisible" & the Dark Path Forward for Young Artists Helen Pashgian, “Untitled” (1968-9). Image credit: LACMA. http://www.thegray-market.com/columns/sampler-chatter-meager-data-big-declarations-in monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210475969-PUCXRFRVG4DLB6Q81457/image-asset.jpeg Columns - Sampler Chatter: Meager Data & Big Declarations in the Art World Walead Beshty, “FedEx Large Box” (2005). Image credit: Tiki Chris via Flickr. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210475765-SZFH4BQJWXKS7XMULKLR/image-asset.jpeg Columns - Sampler Chatter: Meager Data & Big Declarations in the Art World Judy Chicago, “The Dinner Party” (1974-9). Image credit: Blouin Art Info. http://www.thegray-market.com/columns/the-menace-of-the-more-machine monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210476283-1D8X4U57X09W9XCTOEW4/image-asset.jpeg Columns - The Menace of the "More" Machine Takashi Murakami, “Jellyfish Eyes Black No. 4”, edition of 300. Image credit: Paddle8. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210476080-NT45TMTRCHQOZARV4O28/image-asset.jpeg Columns - The Menace of the "More" Machine James Franco, “Untitled Film Still #58" (2014). Image credit: Pace. http://www.thegray-market.com/columns/flash-boys-arts-transparency-for-profit monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210476417-T1KFPVLA986RBY4M3V1U/image-asset.jpeg Columns - "Flash Boys" & Arts Transparency For Profit Larry Bell, “6x4x4-CD” (1996). Image credit: Loretta Howard Gallery. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210476561-TJSXOKWE0XSFWHDNY0A1/image-asset.jpeg Columns - "Flash Boys" & Arts Transparency For Profit Robert Irwin, “Untitled (#2220),” (1969). Image credit: Venice-in-Venice. http://www.thegray-market.com/columns/plugging-tax-loopholes-with-fine-art monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434584376147-EOH4P7EN6PKPC2SMQXHS/image-asset.jpeg Columns - Plugging Tax Loopholes with... Fine Art? Francis Bacon, “Three Studies of Lucian Freud” (1969). Image credit: Portland Art. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210477280-SEZLJ877PKE7VXKICMW2/image-asset.jpeg Columns - Plugging Tax Loopholes with... Fine Art? Anish Kapoor, “Temenos” (2010). Image credit: Awakening Arts Network. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210477571-JIPQCFMJEP87FOEAONFP/image-asset.jpeg Columns - Plugging Tax Loopholes with... Fine Art? Ed Ruscha, “OOO” (1975). Image credit: Sotheby's. http://www.thegray-market.com/columns/the-short-circuit-at-silicon-valley-contemporary monthly 0.5 2015-06-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434584895479-LMYE2TL7YYULUTAKO3SZ/image-asset.png Columns - The Short Circuit at Silicon Valley Contemporary Rob and Nick Carter, still from "Transforming Nude Painting” (2013). Image credit: Rob and Nick Carter via Twitter. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210477787-4GMBXL8451QZONFHVB6V/image-asset.jpeg Columns - The Short Circuit at Silicon Valley Contemporary Doug Aitken, “Vulnerable” (2008). Image credit: Feelsmore. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210478300-F8ZHRG5UESANHI38OWJ9/image-asset.jpeg Columns - The Short Circuit at Silicon Valley Contemporary Jenny Holzer, from her “PROJECTIONS” series. Image credit: ONM Daily. http://www.thegray-market.com/columns/the-tao-and-dow-of-stefan monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210478690-05B9OYS65XDWXS88VVXE/image-asset.jpeg Columns - The Tao (and Dow) of Stefan Lucien Smith, “Rain Paintings,” installation view at Ritter / Zamet, London. Image credit: Arrested Motion. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210478472-IXUYZYHT2G9S5T4KNUGV/image-asset.jpeg Columns - The Tao (and Dow) of Stefan Oscar Murillo, “Untitled (Mango)” (2012). Image credit: My Art Guides. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210478750-T78HDG7GO9IJJATM0BEW/image-asset.jpeg Columns - The Tao (and Dow) of Stefan Jon Rafman, “New Age Demanded,” installation view. Image credit: Incubate. http://www.thegray-market.com/columns/an-art-market-so-big-even-the-brands-have-brands monthly 0.5 2015-06-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210478991-1KYW5UQGTPLMSLDYW2KA/image-asset.jpeg Columns - An Art Market So Big, Even the Brands Have Brands 50th Anniversary Andy Warhol Campbell's Soup cans. Image credit: That's Like Whoa! http://www.thegray-market.com/columns/relocation-is-innovation-and-innovation-isnt-for monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210479483-XLQ2Z32ZSIQCFX7JQXSQ/image-asset.jpeg Columns - Relocation Is Innovation (+ Innovation Isn't for Everyone) Maya Lin, “Systematic Landscapes” (detail), 2006. Image credit: The Curated Object. http://www.thegray-market.com/columns/putting-the-bargain-in-grand-bargain monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434586072230-V1HCWJYR6ZGZBA2ITFGD/image-asset.jpeg Columns - Putting the 'Bargain' in "Grand Bargain" Diego Rivera, “Detroit Industry” (North Wall) (1932-33). Image credit: About Place Journal. http://www.thegray-market.com/columns/new-leonardo-old-negotiating-tactics monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210480178-8KT8MH5R12X3DWHR0MIY/image-asset.jpeg Columns - "New" Leonardo, Old Negotiating Tactics Detail from Leonardo, “Self-Portrait in Old Age” (1512). Image credit: Feel Guide. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210480003-M77BQ49YW31LJDI5D63E/image-asset.jpeg Columns - "New" Leonardo, Old Negotiating Tactics Leonardo, “Salvator Mundi” (ca. 1506). Image credit: Feel Guide. http://www.thegray-market.com/columns/kept-at-bay-silicon-valleys-arts-trouble monthly 0.5 2015-06-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210480966-JUWCLAU4MGMDJW66U2E3/image-asset.jpeg Columns - Kept At Bay: Silicon Valley's Arts Trouble Bruce Nauman, “Run from Fear/Fun from Rear" (1972). Image credit: The Swelle Life. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210480994-F8BI8JP5LFTBA5YTKFB6/image-asset.jpeg Columns - Kept At Bay: Silicon Valley's Arts Trouble Wayne Thiebaud, “24th Street Intersection” (1977). Image credit: 99% Invisible. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210480686-DRIXX6TA9RWTYRN69PP1/image-asset.jpeg Columns - Kept At Bay: Silicon Valley's Arts Trouble Richard Diebenkorn, “Ocean Park No. 129” (1984). Image credit: Wiki. http://www.thegray-market.com/columns/is-museum-franchising-the-future monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210481191-D2RFBBXOYXIVAKXFMNO5/image-asset.jpeg Columns - Is Museum Franchising the Future? Concept rendering of the Guggenheim Abu Dhabi. Image credit: Interior Clip. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210481288-2KE4F2UBSG10HEOA97RX/image-asset.jpeg Columns - Is Museum Franchising the Future? Concept rendering of the Louvre Abu Dhabi. Image credit: Guide 2 Dubai. http://www.thegray-market.com/columns/two-quotes-two-careers-jeff-koons-john-waters monthly 0.5 2015-06-21 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210481690-8LDCLIDMNN2R5NU482X6/image-asset.jpeg Columns - Two Quotes, Two Careers: Jeff Koons & John Waters https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210482114-21BCG8B8QW4W4AHQ0FBQ/image-asset.png Columns - Two Quotes, Two Careers: Jeff Koons & John Waters John Waters, still from “Pink Flamingos” (1972). Image credit: Creepers in Cast. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210481965-K3T4J9AHVL4TNMGUYMEG/image-asset.jpeg Columns - Two Quotes, Two Careers: Jeff Koons & John Waters Jeff Koons, “Balloon Dog (Orange)" (1994-2000). Image credit: 250 Words. http://www.thegray-market.com/columns/street-fight-banksy-theft-and-the-resale-market monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210482790-G59XSTPDRCNG969R1O10/image-asset.jpeg Columns - Street Fight: Banksy, Theft, and the Resale Market Banksy, Girl and Balloon (2002). Partially covered by building owner. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210483419-H57B1YE7WE9NYO333TTF/image-asset.jpeg Columns - Street Fight: Banksy, Theft, and the Resale Market Banksy, “Flower Thrower.” Image credit: Popular Resistance. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210482668-VCUZKHQASJ9TS2E6T3FE/image-asset.jpeg Columns - Street Fight: Banksy, Theft, and the Resale Market Banksy, “Kissing Coppers” (2004). Image credit: Flavorwire. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210483105-YC3VDEX4RSR7V83KQVI5/image-asset.jpeg Columns - Street Fight: Banksy, Theft, and the Resale Market Banksy, “Slave Labour” (2012). Image credit: 12 oz. Prophet. http://www.thegray-market.com/columns/too-late-to-apologize-on-shia-labeouf-branding monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210483388-V9IPG2WQ2GKYWDAS0XEK/image-asset.jpeg Columns - Too Late to Apologize? On Shia LaBeouf & Branding in the Arts View of Stephen Cohen Gallery from my place in line. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210483587-CU7CDY3G9HYVDY77Q9PX/image-asset.jpeg Columns - Too Late to Apologize? On Shia LaBeouf & Branding in the Arts Shia LaBeouf on the red carpet at the 2014 Berlin Film Festival. Image credit: New York Daily News. http://www.thegray-market.com/columns/holes-in-the-web-the-problematic-economics-of-net monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210483935-RB44L90KCNF832BW05RC/image-asset.png Columns - Holes in the Web: The Problematic Economics of Net Art Jacob Bakkila, “still” from @Horse_ebooks (2012). https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210484277-JUQBLSYM46494LNKNLGW/image-asset.jpeg Columns - Holes in the Web: The Problematic Economics of Net Art Chris Burden, Trans-fixed (1974). Image credit: WTF Art History. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210483794-98O8UGGO7EI7JGKYPFKE/image-asset.png Columns - Holes in the Web: The Problematic Economics of Net Art Jacob Bakkila and Thomas Bender, Still from Bear Stearns Bravo (2013). Image credit: The Mary Sue. http://www.thegray-market.com/columns/narratives-make-the-art-world-go-round monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210484902-N03EXLEHEJFQRE7OQ1VB/image-asset.jpeg Columns - Narratives Make the Art World Go 'Round Chris Burden, “The Big Wheel” (1979). Image credit: OAK. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210485554-WY0DA1KAIV3NP956QLC8/image-asset.jpeg Columns - Narratives Make the Art World Go 'Round Ad Reinhardt, “Abstract Painting” (1960-66). Image credit: The Guggenheim. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210485887-530DL8SIDV2Y74KDPL24/image-asset.jpeg Columns - Narratives Make the Art World Go 'Round Richard Wilson, “20:50” (1991). Used sump oil and steel. Image credit: aliraqi. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210485170-DLFJD563LNK45LQ1HM2I/image-asset.jpeg Columns - Narratives Make the Art World Go 'Round Iza Gensken, Installation View. Image credit: Secession. http://www.thegray-market.com/columns/is-deaccessioning-the-devil-part-2 monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210486379-H2DZUI52UH9UZIL7YYCL/image-asset.jpeg Columns - Is Deaccessioning the Devil?: Part 2 Michael Heizer, “Double Negative” (1970). Image credit: Global Art Magazine. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210486075-JI2QTTAYNY3S7HD8WSVD/image-asset.jpeg Columns - Is Deaccessioning the Devil?: Part 2 “Poems to the Sea” (detail). One drawing of twenty-four. Image credit: Tate. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210485978-2WE2BGKTS2IANFU14W55/image-asset.jpeg Columns - Is Deaccessioning the Devil?: Part 2 Cy Twombly, “Poems to the Sea” (1959). Suite of twenty-four works on paper. Image credit: Art and Artifice. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210486204-NXFVGU9ACAFFVMGA8ZJE/image-asset.jpeg Columns - Is Deaccessioning the Devil?: Part 2 Jasper Johns, “0-9” (1963). Edition of 10. Image credit: Deutsche Bank. http://www.thegray-market.com/columns/is-deaccessioning-the-devil-part-1 monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210488384-0BPADXKBZ2N45TEIS0FF/image-asset.jpeg Columns - Is Deaccessioning the Devil?: Part 1 John Chamberlain, “Daddy in the Dark” (1988). Image credit: Artlog. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210487141-71XB7WIYABK8KNWQY1P6/image-asset.gif Columns - Is Deaccessioning the Devil?: Part 1 Robert Smithson. “Spiral Jetty” (1970). Great Salt Lake, Utah. Image credit: Artes Magazine. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210487503-ROUWOV4QK9FNRI64ZW38/image-asset.jpeg Columns - Is Deaccessioning the Devil?: Part 1 Trevor Paglen. “Time Study (Predator, Indian Springs, NV)” (2010). Image credit: Daily Serving. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210488189-8PTKHW8N3JVJREGSOA37/image-asset.jpeg Columns - Is Deaccessioning the Devil?: Part 1 Damien Hirst, “The Golden Calf” (2008). Image credit: The Catholic Catalogue. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210487014-8Q39SVY0X0GKKYUWRK2F/image-asset.jpeg Columns - Is Deaccessioning the Devil?: Part 1 Kenneth Anger. Still from “Invocation of My Brother Demon” (1972). Image credit: From the Barrelhouse. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210487900-DVWBBCLRH0H0HM51UCKZ/image-asset.jpeg Columns - Is Deaccessioning the Devil?: Part 1 Jeff Koons, “Puppy” (1992). Guggenheim Bilbao, Spain. Image credit: Ian Turk via Flickr. http://www.thegray-market.com/columns/garcettis-goldilocks-the-challenge-of-privately monthly 0.5 2015-06-18 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210488967-OKHFJ37AXHIAZNIIWJT7/image-asset.jpeg Columns - Garcetti's Goldilocks: The Challenge of Privately Funding Public Art John Baldessari. “Learn to Dream” (2013). Image credit: News of the Art World. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434594256851-2REY67PR1C63ERWLEDVJ/image-asset.jpeg Columns - Garcetti's Goldilocks: The Challenge of Privately Funding Public Art Chris Burden. “Urban Light” (2010). Collection of LACMA. Richard Rownak via Minimal Exposition. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210488635-YE543ZHMBCBTTIZJ6423/image-asset.jpeg Columns - Garcetti's Goldilocks: The Challenge of Privately Funding Public Art Ed Ruscha. “Pay Nothing Until April” (2003). Image credit: Tate. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210489312-C1ZYR33H91KNPRCSMTZE/image-asset.jpeg Columns - Garcetti's Goldilocks: The Challenge of Privately Funding Public Art James Turrell. “PIcture Plane” (2004). Private collection, Los Angeles. Image credit: The Wall Street Journal. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210489013-G4LQD40VBKOZWT8VMK3Y/image-asset.jpeg Columns - Garcetti's Goldilocks: The Challenge of Privately Funding Public Art Richard Serra. “Tilted Arc” (1981). Image credit: Shubin + Donaldson. http://www.thegray-market.com/columns/moma-the-market-or-what-do-we-look-at-when-we monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210489818-TM6TORTIUWZOK3P9FHBA/image-asset.jpeg Columns - MoMA + The Market, or: What Do We Look at When We Look at Art? MoMA Concept Rendering: Sculpture garden entrance from 54th St. Diller Scofidio + Renfro. Image credit: New Republic. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210490334-ASEV627BECXAGF3ALP99/image-asset.jpeg Columns - MoMA + The Market, or: What Do We Look at When We Look at Art? Ai Weiwei, "Stacked” (2012). Installation view at Perez Art Museum, Miami. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210489582-8VU4N4F56TM4H6QLLI36/image-asset.jpeg Columns - MoMA + The Market, or: What Do We Look at When We Look at Art? MoMA Concept Rendering: View from 53rd St. Diller Scofidio + Renfro. Image credit: Vulture. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210489860-ZK71WQCELQRQDHA5OHZE/image-asset.jpeg Columns - MoMA + The Market, or: What Do We Look at When We Look at Art? Llyn Foulkes. “The Golden Ruler” (1985). Image credit: Daily Serving. http://www.thegray-market.com/columns/big-data-museums-friend-or-foe monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210490903-39TJ3UI8IKHVUQHB1GSW/image-asset.jpeg Columns - Big Data & Museums: Friend or Foe? Mark di Suvero, Ave (1973). Image credit: Blouin Art Info. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210491105-O0OW041XYCWVFV0NSW78/image-asset.jpeg Columns - Big Data & Museums: Friend or Foe? Richard Serra, “The Matter of Time” (2005). Image credit: Art Observed. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210490484-JHOVTDD4QW2IPMP6IO6Y/image-asset.jpeg Columns - Big Data & Museums: Friend or Foe? John Baldessari, “Two Opponents (Blue & Yellow)” (2004). Image credit: The Annex Galleries. https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434210490618-E843C9PQIEOHLP50L84O/image-asset.jpeg Columns - Big Data & Museums: Friend or Foe? http://www.thegray-market.com/columns/paddles-up-paddles-down-fun-with-auction monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434595440301-AAO9HMYG4CWMBTXLF871/image-asset.jpeg Columns - Paddles Up, Paddles Down: Fun(?) with Auction Charts Jeff Koons. Michael Jackson & Bubbles (1988). 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Image credit: Art Caste. http://www.thegray-market.com/columns/grantland-goes-to-art-basel-miami-and-misses monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434784566658-PDX4NHL6O28WYWS5SF0S/image-asset.jpeg Columns - Grantland Goes to Art Basel Miami... and Misses the Boat Jeff Koons, "Guilty" (2013). Custom-designed 115-foot yacht owned by Dakis Joannou. Image credit: Fubiz. http://www.thegray-market.com/columns/art-basel-miami-day-four monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434784834244-H6EVYTT2OC8KT1V8N9V7/image-asset.jpeg Columns - Art Basel Miami: Day Four Hiro, "Apollo Spaceflight Training Suits, Houston, Texas." (2013) Edition of 8, at Pace/MacGill Gallery's booth. http://www.thegray-market.com/columns/art-basel-miami-day-three monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434785014422-KJXRDG1KHETBCVQVJTWM/image-asset.jpeg Columns - Art Basel Miami: Day Three Vanessa Beecroft X Kanye West collaboration, at the Flaunt Magazine party. http://www.thegray-market.com/columns/art-basel-miami-day-two-part-two monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434785234328-YT1OOFTJJ7INNQ8K5K72/image-asset.jpeg Columns - Art Basel Miami: Day Two, Part Two Kader Attia, "Soldat Blesse, Masque Malade (Lega)" (2013), at Galleria Continua's booth. http://www.thegray-market.com/columns/art-basel-miami-day-two monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434785339872-V8V79F2GEV1IQN9JAVUO/image-asset.jpeg Columns - Art Basel Miami: Day Two Ai Weiwei, "Table with Two Legs" (2008). At the Rubell Family Collection. http://www.thegray-market.com/columns/art-basel-miami-day-1-takeaway monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434785536800-163Z2XRQMPR9LBV2J9HZ/image-asset.jpeg Columns - Art Basel Miami: Day 1 Takeaway Melvin Edwards, "John Henry for John Scott" (2012). http://www.thegray-market.com/columns/david-zwirner-goliath monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434785747016-L8CSWEGT8A7ETT5L4WZP/image-asset.jpeg Columns - David Zwirner & Goliath Michelangelo Merisi da Caravaggio, "David & Goliath" (ca. 1608). Image credit: Fine Art America. http://www.thegray-market.com/columns/how-do-you-solve-a-problem-like-tobias monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434785911860-X5WZB9O5CACAAZQOYQCK/image-asset.jpeg Columns - How Do You Solve A Problem Like Tobias? Tobias Meyer with a Francis Bacon painting. Image credit: Neil Bridge. http://www.thegray-market.com/columns/did-bloomberg-just-betray-the-arts monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434786268443-PDVMCVMNV9CKCRX7WC71/image-asset.jpeg Columns - Did Bloomberg Just Betray the Arts? Jean-Léon Gérôme, "The Death of Caesar" (1859-1867). Image credit: The Walters Art Museum. http://www.thegray-market.com/columns/banksy-in-the-booth-or-how-art-brands-blow monthly 0.5 2015-06-20 https://images.squarespace-cdn.com/content/v1/556f8d45e4b056e358098f31/1434786503670-D0NWV0LMDB4C8GACCD7M/image-asset.jpeg Columns - Banksy in the Booth, or: How Art Brands Blow Bubbles Banksy's "Spray Art" pop-up in Central Park. 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